The Novel An Introduction

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Edition: 1st
Format: Paperback
Pub. Date: 2011-02-21
Publisher(s): Wiley-Blackwell
List Price: $42.61

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Summary

This is an engaging introduction to the novel and narrative theory that will deepen readers' understanding and enhance their appreciation and enjoyment of this popular genre. Provides readers with the critical tools to become expert narratologists and more insightful readers Reflects on the rise of world literature, with examples drawn from Spanish, French, Italian, German, Scandinavian, and Russian novels for analysis or illustration, as well works from English and American literature Featured topics include the handling of space and time in the novel, narrative situations, literary symbols, and gendering

Author Biography

Christoph Bode is Chair of Modern English Literature at the Ludwig Maximilians University of Munich, Germany. He has written 20 books and some 70 articles - both in English and German - on Narratology, Romanticism, and Critical Theory. Bode is also President of the German Society for English Romanticism and a Corresponding Fellow of the English Association.

Table of Contents

Foreword
Translator's note
Beginnings
Beginning
Sense and meaning
Rules of the game
Links and connections
I
First sentences: enticements
The modern European novel (predecessors, origins, conventions, sub-genres)
Dangers and allurements of novel-reading - what's novel about the novel?
Fact and fiction (no man is an island)
Fiction, illusion, realism
Variety of types - triumph of polyphony
The object of every analysis: the how and the what (discourse and story)
Time
Narrative time and narrated time
Order
Frequency
Tense and narrative
Characters
Character conception
Character portrayal
Teutonic rosette or Gallic taxonomy? Identifying the narrative situation
Prologue
Stanzel's typological circle: a preliminary overview
Splitting the in-dividual: the first-person narrative situation
The impossibility of the familiar: the authorial narrative situation
Abolishing narrative in narrative - the illusion of immediacy: the figural narrative situation
Genette's narrative theory: the basics
Who speaks? - voice
Who perceives? - focalization
Internal - external: advantage Genette?
Coda
The novel as atonement
Multiperspectivity, unreliability and the impossibility of editing out the gender-aspect
Multiperspectivity
Unreliable narration
The narration's gender
Now you see it, now you don't: symbolism and space
The end of the novel and the future of an illusion
Experience, storytelling, (hi)stories
Meaning orientation
Novels: allegories of telling
Recommended further reading
Bibliography
Table of Contents provided by Publisher. All Rights Reserved.

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