
The Novel An Introduction
by Bode, ChristophBuy New
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Summary
Author Biography
Table of Contents
Foreword | |
Translator's note | |
Beginnings | |
Beginning | |
Sense and meaning | |
Rules of the game | |
Links and connections | |
I | |
First sentences: enticements | |
The modern European novel (predecessors, origins, conventions, sub-genres) | |
Dangers and allurements of novel-reading - what's novel about the novel? | |
Fact and fiction (no man is an island) | |
Fiction, illusion, realism | |
Variety of types - triumph of polyphony | |
The object of every analysis: the how and the what (discourse and story) | |
Time | |
Narrative time and narrated time | |
Order | |
Frequency | |
Tense and narrative | |
Characters | |
Character conception | |
Character portrayal | |
Teutonic rosette or Gallic taxonomy? Identifying the narrative situation | |
Prologue | |
Stanzel's typological circle: a preliminary overview | |
Splitting the in-dividual: the first-person narrative situation | |
The impossibility of the familiar: the authorial narrative situation | |
Abolishing narrative in narrative - the illusion of immediacy: the figural narrative situation | |
Genette's narrative theory: the basics | |
Who speaks? - voice | |
Who perceives? - focalization | |
Internal - external: advantage Genette? | |
Coda | |
The novel as atonement | |
Multiperspectivity, unreliability and the impossibility of editing out the gender-aspect | |
Multiperspectivity | |
Unreliable narration | |
The narration's gender | |
Now you see it, now you don't: symbolism and space | |
The end of the novel and the future of an illusion | |
Experience, storytelling, (hi)stories | |
Meaning orientation | |
Novels: allegories of telling | |
Recommended further reading | |
Bibliography | |
Table of Contents provided by Publisher. All Rights Reserved. |
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