Bernard of Hollywood Pin-Ups

by
Format: Paperback
Pub. Date: 1999-05-01
Publisher(s): Taschen America Llc
List Price: $19.99

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Summary

The glamorous denizens of Hollywood in the fifties were doing what the whole of America could only dream about. Los Angeles was the permanently sunny city where the stars came out to play, while the rest of the country eagerly awaited the latest issue of Hollywood Dream Girls to pore over gorgeous in-ups of their favourite icons. When it came to these 'glamour' shots, the man they called Bernard of Hollywood was the best photographer in town. He was a German emigrant, seeing American stars with a fresh eye. He fled before WW II, hopping onto a boat bound for LA instead of Brazil after watching a Clark Gable movie. He was hooked on fame and celebrity, teaching himself into the professional studio game, and helping to school other budding amateurs with his accessible how-to guide (included in this volume). After the war, America was booming; the films and adverts reflected this new optimism, and Bernard was the lens man of the Technicolor era. He was instrumental in discovering Marilyn Monroe -- and soon became famous himself with his classic collection of the most beautiful women of the time, "Pin-Ups: One Step Beyond."The stars never shone as brightly as they did under Bernard's light bulbs.

Table of Contents

Foreword 6(2)
Vorwort 8(2)
Preface 10(2)
A Step Beyond
12(2)
Einen Schritt Weiter
14(2)
Une Longueur D'Avance
16(6)
PIN-UPS as an Art
22(2)
PIN-UPS ALS Kunstform
24(2)
L'art De La PIN-UP
26(30)
Models and Moods
56(2)
Modell und Stimmung
58(2)
Le Choix Du Modele Et La Creation D'Une Ambiance
60(28)
Costuming and Background
88(2)
Kleidung und Hintergrund
90(2)
Costumes et Arriere-Plans
92(28)
Illustration Versus Photography
120(1)
Illustration Kontra Fotografie
121(1)
Illustration Contre Photographie
122(1)
Composition and Lighting
123(1)
Komposition und Lichtfuhrung
124(1)
Composition et Eclairage
125(31)
Spark and Spontaneity in Posed Candids
156(1)
Schwung und Spontaneitat im Inszenierten Schnappschuss
157(1)
De La Spontaneite Dans Les Instantanes Poses
158(1)
Credits 159

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