The Broadway Sound: The Autobiography and Selected Essays of Robert Russell Bennett

by ; ;
Format: Hardcover
Pub. Date: 1999-11-01
Publisher(s): Boydell & Brewer Inc
List Price: $45.00

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Summary

The remarkable career of composer-orchestrator Robert Russell Bennett (1894-1981) encompassed a wide variety of both "legitimate" and popular music-making in Hollywood, on Broadway, and for television. Bennett is principally responsible for what is known worldwide as the "Broadway sound" and for greatly elevating the status of the theater orchestrator. He worked alongside Jerome Kern, Cole Porter, George Gershwin, Irving Berlin, Richard Rodgers, and Frederick Loewe on much of the Broadway canon, eventually providing orchestrations for all or part of more than 300 musicals between 1920 and 1975. This work is the first publication of Bennett's autobiography, which was written in the late 1970s. It also includes eight of his most important essays on the art of orchestration. George J. Ferencz is professor of music at the University of Wisconsin at Whitewater.

Table of Contents

List of Photographs
viii
List of Musical Examples
ix
Foreword xi
Frederick Fennell
Acknowledgments xv
Editor's Introduction 1(8)
THE AUTOBIOGRAPHY OF ROBERT RUSSELL BENNETT
Prologue ``Irving Berlin and I''; musical snobbery; The Lady with the Red Dress; Abram Chasins and ``talent''; publisher Max Dreyfus
9(4)
The Bennett family tree; poliomyelitis and other childhood memories; moving from Kansas City to a Freeman, Missouri, farm; a boyhood of music and baseball
13(16)
Growing up in Freeman; high school graduation; early experiences with girls; the Bennetts return to Kansas City; playing for vaudeville and silent films; study with Carl Busch
29(13)
To New York, 1916; employment as copyist and arranger; Winifred Merrill's Musical Autograms; Army service during World War I; courtship and marriage to Louise Merrill; arranging at Harms, Inc.; incidental music for Shakespeare and the Barrymores; collaborations with Kern, Gershwin, et al.; an astrologer's guidance
42(41)
To Paris, 1926; lessons with Nadia Boulanger; beginning of a long association with Richard Rodgers
83(14)
Rodgers and Hart in London; Show Boat and Helen Morgan; Princess Charming and other London productions; a Guggenheim Fellowship; RCA's $25,000 composition contest; Paris, Berlin, and the Bennetts' return to New York; Vinton and Freedley; Gershwin and Girl Crazy
97(21)
To Hollywood, 1930; two prizes from RCA; Leopold Stokowski; Oscar Hammerstein II, Irving Caesar, and other lyricists; Dietz and Schwartz; with Fritz Kreisler in Vienna; Maria Malibran staged at Juilliard; Sigmund Romberg; Henry Hadley and the NAACC
118(33)
Hollywood beckons again: Show Boat (1936); Gershwin and Kern's Shall We Dance, Swing Time, A Damsel in Distress; some late 1930s compositions---Hollywood, Eight Etudes, Enchanted Kiss; an encounter with Stravinsky; a bounty of band music for the 1939--40 New York World's Fair; Alfred Wallenstein; Louis and Annette Kaufman; returning to New York
151(25)
Russell Bennett's Notebook (1940) and other adventures in network radio; Joseph Schillinger; A Symphonic Picture of ``Porgy and Bess''; Oklahoma!; Carmen Jones and Billy Rose; Stars of the Future (radio); Carousel; Annie Get Your Gun; Carnegie Hall (film); the Goldman Band; Helen Keller; Marian Anderson; Robert Shaw
176(32)
Victory at Sea: arrangements for Arthur Fiedler; Oklahoma! on film; American Wind Symphony; Project 20 and NBC Television; My Fair Lady; Overture to an Imaginary Drama; Bells Are Ringing; Flower Drum Song; Marc Blitzstein's Juno
208(27)
The Sound of Music; Camelot; Cinderella; On a Clear Day You Can See Forever; Lincoln Center revivals, 1966 (Annie Get Your Gun and Show Boat); Mata Hari
235(5)
Remembrances: Irving Berlin, Vincent Youmans, Cole Porter, Richard Rodgers, Jerome Kern
240(19)
``The Bohemians''; Georges Enesco; Symphony #7 for Fritz Reiner; a collaboration with Rachmaninov; moving to the Warwick Hotel; some 1970s compositions
259(64)
EDITOR'S EPILOGUE
Epilogue
273(6)
EIGHT SELECTED ESSAYS
Robert Russell Bennett
Orchestrating for Broadway (1933)
279(5)
Orchestration of Theatre and Dance Music (late-1930s)
284(9)
Backstage with the Orchestrator (1943)
293(4)
A Pretty Girl Is Like a Melody (1944)
297(4)
Eight Bars and a Pencil (1947)
301(4)
All I Know about Arranging Music (1949)
305(12)
On Writing Harp Music (1954)
317(3)
Fools Give You Reasons (1967)
320(3)
Afterword: A Tribute 323(2)
Robert Shaw
Appendix A: Selected Compositions 325(4)
Appendix B: Selected Concert Arrangements 329(4)
Appendix C: Selected Stage and Film Credits 333(3)
Appendix D: Selected Discography 336(6)
Bibliography 342(3)
Index 345

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