
Dante, Cinema, and Television
by Iannucci, Amilcare A.Buy New
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Summary
Author Biography
Table of Contents
Acknowledgments | p. vii |
Introduction | p. ix |
Dante and Hollywood | p. 3 |
Early Cinema, Dante's Inferno of 1911, and the Origins of Italian Film Culture | p. 21 |
The Helios-Psiche Dante Trilogy | p. 51 |
Back to the Future: Dante and the Languages of Post-war Italian Film | p. 74 |
Beginning to Think about Salo | p. 97 |
The Off-Screen Landscape: Dante's Ravenna and Antonioni's Red Desert | p. 106 |
Spencer Williams and Dante: An African-American Filmmaker at the Gates of Hell | p. 129 |
Television, Translation, and Vulgarization: Reflections on Phillips' and Greenaway's A TV Dante | p. 145 |
Dopo Tanto Veder: Pasolini's Dante after the Disappearance of the Fireflies | p. 153 |
'Non Senti Come Tutto Questo Ti Assomiglia?' Fellini's Infernal Circles | p. 166 |
Dante and Canadian Cinema | p. 176 |
Dante and Cinema: Film across a Chasm | p. 189 |
Dante by Heart and Dante Declaimed: The 'Realization' of the Comedy on Italian Radio and Television | p. 213 |
Notes on Contributors | p. 225 |
Index of Films | p. 229 |
Index of Names | p. 235 |
Table of Contents provided by Ingram. All Rights Reserved. |
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