Preface |
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xi | |
About the author |
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xiii | |
Acknowledgements |
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xv | |
Introduction |
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xvii | |
PART ONE Digital Cinematography |
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1 | (6) |
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Why digital cinematography? |
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3 | (4) |
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3 | (1) |
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4 | (1) |
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4 | (1) |
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4 | (1) |
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4 | (1) |
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5 | (1) |
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5 | (1) |
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5 | (2) |
PART TWO The Director of Photography's Craft |
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7 | (26) |
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9 | (3) |
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9 | (1) |
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9 | (1) |
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10 | (1) |
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Saturation and desaturation |
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10 | (1) |
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10 | (1) |
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11 | (1) |
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12 | (3) |
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12 | (1) |
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12 | (1) |
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13 | (1) |
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13 | (2) |
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15 | (5) |
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Defining a lighting ratio |
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15 | (1) |
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Visualizing lighting ratios |
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15 | (1) |
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Different lighting ratios for film and television |
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16 | (1) |
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Using lighting ratios on the set |
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17 | (1) |
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Controlling the whole scene |
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18 | (1) |
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The effect of not recording the whole scene |
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18 | (2) |
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20 | (7) |
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What is colour temperature? |
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20 | (1) |
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Filters and Mired shift values |
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21 | (2) |
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The colour temperature meter |
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23 | (1) |
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24 | (1) |
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25 | (2) |
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27 | (6) |
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27 | (4) |
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31 | (1) |
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31 | (1) |
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Fluorescent light correction |
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31 | (1) |
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31 | (1) |
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32 | (1) |
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32 | (1) |
PART THREE The Shoot |
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33 | (46) |
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35 | (13) |
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35 | (9) |
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44 | (4) |
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48 | (5) |
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48 | (2) |
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50 | (3) |
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The Director of Photography's preparation |
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53 | (13) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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The camera equipment list |
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55 | (4) |
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The lighting equipment list |
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59 | (7) |
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Technical preparation for a shoot |
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66 | (13) |
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66 | (1) |
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Camera checks - record/playback |
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67 | (1) |
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67 | (3) |
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70 | (1) |
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70 | (1) |
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71 | (1) |
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71 | (1) |
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72 | (1) |
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72 | (7) |
PART FOUR The Technology |
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79 | (28) |
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81 | (11) |
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81 | (1) |
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81 | (1) |
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82 | (2) |
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84 | (1) |
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84 | (2) |
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86 | (2) |
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88 | (1) |
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89 | (1) |
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90 | (2) |
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The video cassette recorder |
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92 | (3) |
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92 | (1) |
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92 | (2) |
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Mechanical considerations |
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94 | (1) |
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94 | (1) |
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The drum lacing mechanism |
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94 | (1) |
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94 | (1) |
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95 | (3) |
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95 | (1) |
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95 | (1) |
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White balance using a white card |
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96 | (1) |
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White balance using a coloured card |
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96 | (1) |
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White balance under fluorescent lighting |
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97 | (1) |
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97 | (1) |
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97 | (1) |
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98 | (4) |
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98 | (1) |
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98 | (1) |
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98 | (1) |
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99 | (1) |
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Synchronising using external time code generators |
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99 | (1) |
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99 | (1) |
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99 | (1) |
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Resetting time code after removing a tape |
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100 | (1) |
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Synchronizing using a cable |
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101 | (1) |
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102 | (5) |
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102 | (1) |
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103 | (1) |
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104 | (3) |
PART FIVE High-definition Digital Cinematography |
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107 | (8) |
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109 | (6) |
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High-definition image capture |
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109 | (1) |
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109 | (1) |
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The Sony HDW-F500 digital recorder |
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110 | (1) |
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Inputting 24p into non-linear editing |
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111 | (1) |
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Panavision digital cinematography |
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111 | (1) |
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Panavision high-definition lenses |
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111 | (1) |
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112 | (1) |
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112 | (1) |
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Digi Beta/HDCAM familiarity |
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112 | (1) |
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112 | (1) |
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112 | (1) |
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But what does it actually look like? |
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113 | (1) |
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HDCAM - a replacement for 35 mm? |
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113 | (1) |
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113 | (2) |
PART SIX The Sony DVW In-camera Menus |
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115 | (68) |
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The Sony DVW camera menus |
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117 | (5) |
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117 | (1) |
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Reading data from a set-up card |
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117 | (2) |
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119 | (1) |
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119 | (1) |
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119 | (1) |
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120 | (1) |
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120 | (1) |
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121 | (1) |
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Different software - the quick reference lists |
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121 | (1) |
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The Sony DVW 700 menus - quick reference list |
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122 | (3) |
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125 | (23) |
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125 | (1) |
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126 | (1) |
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126 | (1) |
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127 | (1) |
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127 | (1) |
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128 | (2) |
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130 | (1) |
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130 | (2) |
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132 | (2) |
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134 | (1) |
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134 | (1) |
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135 | (1) |
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135 | (1) |
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135 | (1) |
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136 | (1) |
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137 | (1) |
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137 | (1) |
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Mean select 1/3, 2/3 and 3/3 |
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137 | (1) |
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138 | (1) |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (1) |
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143 | (2) |
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145 | (1) |
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145 | (1) |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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The Sony DVW 790 menus - quick reference list |
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148 | (4) |
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152 | (31) |
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153 | (1) |
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154 | (1) |
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155 | (2) |
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157 | (1) |
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158 | (1) |
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159 | (2) |
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161 | (1) |
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Level 1 4:3 and Level 2 4:3 |
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161 | (1) |
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161 | (1) |
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162 | (2) |
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164 | (1) |
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164 | (1) |
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164 | (1) |
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165 | (1) |
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166 | (1) |
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167 | (1) |
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168 | (1) |
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168 | (1) |
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169 | (1) |
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169 | (1) |
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170 | (1) |
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171 | (1) |
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172 | (1) |
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173 | (1) |
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173 | (1) |
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173 | (1) |
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173 | (2) |
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175 | (1) |
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175 | (1) |
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176 | (1) |
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176 | (1) |
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177 | (2) |
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179 | (1) |
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179 | (1) |
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179 | (1) |
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180 | (1) |
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181 | (2) |
Index |
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183 | |