Foreword |
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vii | |
Part I Approaches to Medieval Costume |
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3 | (11) |
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True or False? Art as Witness to an Age |
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3 | (4) |
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From Romance to Account Book |
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7 | (2) |
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Archaeology, the Material Evidence |
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9 | (5) |
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14 | (13) |
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14 | (5) |
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Silk from the East, Silk from the West |
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19 | (3) |
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22 | (1) |
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23 | (2) |
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25 | (2) |
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The Acquisition of Clothing |
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27 | (12) |
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27 | (1) |
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Making Clothes to Measure |
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28 | (4) |
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32 | (1) |
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Gifts and Hand-outs: New and Old |
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33 | (6) |
Part II Development and Social Groupings |
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The History of Working-Class Clothing |
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39 | (16) |
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40 | (4) |
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Adapting to Climatic Conditions |
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44 | (2) |
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The Birth of Working Clothes |
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46 | (9) |
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Kings and Warriors: The Ruling Classes and their Fashions |
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55 | (22) |
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Warriors and the Mirage of the Mediterranean World |
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57 | (1) |
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58 | (3) |
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The Development of Armour |
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61 | (2) |
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The Invention of Modern Masculine Dress |
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63 | (3) |
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Court Fashions and Figures |
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66 | (4) |
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70 | (7) |
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The Diffusion and Regulation of Fashion |
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77 | (22) |
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From Masculine to Feminine Fashion |
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77 | (4) |
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81 | (2) |
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Social Order, Moral Order and the Regulation of Appearances |
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83 | (3) |
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Town Doublets and Country Doublets |
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86 | (3) |
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89 | (10) |
Part III Signs and Signifiers |
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99 | (15) |
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99 | (4) |
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103 | (5) |
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108 | (6) |
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Clothes as Identification Markers |
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114 | (28) |
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The Outward Expression of Dignity |
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114 | (12) |
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126 | (5) |
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131 | (4) |
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Exclusion and Discrimination |
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135 | (7) |
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142 | (12) |
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Carnivals and Popular Entertainment |
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142 | (2) |
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Fancy Dress and Courtly Games |
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144 | (2) |
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From the Juggler to the King's Fool |
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146 | (3) |
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149 | (3) |
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Towards Theatrical Costume |
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152 | (2) |
Conclusion |
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154 | (3) |
Bibliography |
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157 | (7) |
Glossary |
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164 | |