The authors look closely at a variety of types of painting -- including large altarpieces, small domestic, devotional images, diplomatic gifts, furniture decorations, and both intimate and full-length portraits -- as well as frescoes, drawings, and prints. They provide fascinating insights into the meanings of individual pictures and into the purposes they were originally intended to serve, and they explore the social position of the artist in the 1500s. In addition, the book provides the fullest and most up-to-date account yet made of the procedures, practices, and

Durer to Veronese : Sixteenth-Century Painting in the National Gallery
by Jill Dunkerton, Susan Foister, and Nicholas PennyRent Textbook
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Summary
Author Biography
Table of Contents
Preface and Acknowledgements | vi | ||||
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vii | ||||
Chronology | x | ||||
Introduction The New World and the Old | 1 | (8) | |||
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9 | (28) | |||
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37 | (30) | |||
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67 | (20) | |||
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87 | (54) | |||
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141 | (42) | |||
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183 | (28) | |||
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211 | (26) | |||
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237 | (28) | |||
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265 | (28) | |||
Conclusion Towards the Academy | 293 | (5) | |||
References | 298 | (14) | |||
Index | 312 | (5) | |||
Picture Credits | 317 |
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