Summary
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Table of Contents
Acknowledgements |
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vii | |
General Editor's Preface |
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ix | |
Introduction |
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xi | |
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Notes on Arabic Archeology |
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1 | (6) |
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The Genesis of Islamic Art and the Problem of Mshatta |
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7 | (80) |
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87 | (14) |
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The Lawfulness of Painting in Early Islam |
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101 | (8) |
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The Mosque and the Palace |
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109 | (40) |
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Mihrab and Anazah: A Study in Islamic Iconography |
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149 | (18) |
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The Greek Sources of Islamic Scientific Illustrations |
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167 | (28) |
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Deacon or Drink: Some Paintings from Samarra Re-examined |
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195 | (28) |
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The Umayyad Dome of the Rock in Jerusalem |
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223 | (34) |
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257 | (26) |
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The Throne and Banquet Hall of Khirbat al-Mafjar |
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283 | (50) |
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La Dolce Vita in Early Islamic Syria: The Evidence of Later Umayyad Palaces |
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333 | (40) |
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The Origins of the Mihrab Mujawwuaf: A Reinterpretation |
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373 | (20) |
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393 | (8) |
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Index |
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401 | |