The Genesis of Arabic Narrative Discourse

by
Format: Trade Book
Pub. Date: 2000-04-01
Publisher(s): Saqi Books
List Price: $60.00

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Summary

Sabry Hafez challenges the widely held assumption that Arabic culture stagnated before its contact with the West at the beginning of the nineteenth century. He traces the revival to the mid-eighteenth century and follows its development throughout the Arab world, showing how the emergence of a new reading public with its distinct 'world view' induced the process of the transformation and genesis of a new literary discourse. This is followed by a detailed study of the dynamics of this process and an outline of the various stages of the formation and transformation of the new narrative discourse until it culminates in the production of a highly sophisticated and mature narrative.

The Genesis of Arabic Narrative Discourse shifts the terms of the debate on the rise of narrative from formal analysis to an analysis of social formation, clarifying many of the issues, which have long dogged critical discussion. It changes the nature of literary history by overlaying its dry chronology with the vivid socio-cultural dimension and by achieving a fine balance between textual and contextual. It tests its major theoretical suppositions by tracing the historical development of narrative discourse as well as through a detailed and sensitive analysis of the short story in a manner that changes the nature of Arabic literary criticism and puts it on an equal footing with modern critical discourse in Western culture.

Author Biography

Sabry Hafez is a leading literary critics in the Arab World. He has published extensively in Arabic and English, with several books and numerous articles on the Arabic novel, the short story and drama. He is currently lecturer in Arabic at the School of Oriental and African Studies [University of London].

Table of Contents

Preliminary Note 9(1)
Foreword 10(7)
Introduction: The Sociology of Narrative Discourse 17(20)
The Infrastructure of Cultural Transition
37(26)
Early Signs of Cultural Revival
38(4)
Confrontation with the French Expedition
42(3)
The Pioneers of Cultural Transition
45(3)
Accelerating the Process of Modernization
48(4)
Changes in the Levant and Iraq
52(2)
Printing and the Change in Patronage
54(4)
Urbanization and New Social Norms
58(2)
Transformation of the Sociocultural Atmosphere
60(3)
The Reading Public and the Change in Artistic Sensibility
63(42)
Educating the New Reading Public
65(3)
Education and Women's Emancipation
68(3)
The Awakening of National Consciousness
71(8)
Cultural Societies: A Vision in Search of a Role
79(3)
Journalism and Cultural Change
82(3)
Translation and the Contact with the West
85(6)
The Impact of Russian Literature
91(6)
The Composition of a New World-View
97(5)
The New Reading Public and Its Sensibility
102(3)
A Modern Narrative Discourse in Embryo
105(52)
Oral, Traditional and Translated Narrative
106(2)
The Revitalization of the Maqamah
108(3)
The Emergence of Indigenous Narrative
111(2)
Nadim: The Qualification of the New Writer
113(4)
Language and the New Sensibility
117(3)
The Early Narrative Sketches
120(3)
Exploration of Further Grounds
123(2)
Elements of the New Narrative Discourse
125(4)
The Rejuvenation of the Maqamah
129(7)
The Romantic Break with the Past
136(4)
The Dream as a Narrative Discourse
140(2)
The Sentimental Slant of the Romantic
142(7)
Mustafa `Abd al-Raziq: A Neglected Pioneer
149(3)
The Herald of Realistic Narrative
152(5)
The Quest for National Identity and the Birth of Narrative Genres
157(42)
Nationalism and New Artistic Endeavour
158(1)
The Emergence of the Short Story
159(3)
Muhammad Taymur's Pioneering Work
162(2)
The Gap Between Theory and Practice
164(3)
Thematic and Artistic Contribution
167(3)
Nu`aymah and the Mahjar Experience
170(5)
Haddad and the Stories of Expatriation
175(3)
The Brothers `Isa and Shihatah `Ubaid
178(4)
Real People in Plausible Situations
182(3)
Literary Symbols and a Sense of Structure
185(4)
Al-Sayyid: The Return to Russian Literary Inflence
189(10)
Narrative Genres in Search of an Identity: Mahmud Taymur
199(16)
Introducing a New Narrative Discourse
200(1)
Revisiting Old Themes
201(3)
Experimenting with New Themes
204(3)
The Culmination of his Early Career
207(3)
Artistic and Conceptual Qualities
210(2)
The Problematic Language of Narrative
212(3)
The Maturation of the New Narrative Discourse: Mahmud Tahir Lashin
215(18)
Jama `at al-Madrasah al-Hadithah
216(3)
Narrative Survey of the Society
219(3)
Characterization, Themes and Settings
222(3)
A Critical Vision of People and Society
225(2)
Lashin's Lasting Significance
227(2)
Narrative Discourse and the Reader's Consciousness
229(4)
The Culmination of a Sophisticated Discourse: Hadith al-Qaryah
233(29)
Naming as a Prefatory Narrative Device
235(1)
The Beginning and Its Assumptions
236(2)
Dialectics of Fabula and Sjuzhet
238(4)
Skaz and Characterization
242(5)
Molestation, Duplicity and Authority
247(2)
The Polyphony of Discourses and Intertextuality
249(3)
Thematic Interpretation and the Use of Description
252(3)
The Open Ending and Its Significance
255(7)
Appendix: Village Small Talk: an English translation of Hadith al-Qaryah 262(7)
Notes 269(38)
Bibliography 307(10)
Index 317

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