Preliminary Note |
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9 | (1) |
Foreword |
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10 | (7) |
Introduction: The Sociology of Narrative Discourse |
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17 | (20) |
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The Infrastructure of Cultural Transition |
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37 | (26) |
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Early Signs of Cultural Revival |
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38 | (4) |
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Confrontation with the French Expedition |
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42 | (3) |
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The Pioneers of Cultural Transition |
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45 | (3) |
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Accelerating the Process of Modernization |
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48 | (4) |
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Changes in the Levant and Iraq |
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52 | (2) |
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Printing and the Change in Patronage |
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54 | (4) |
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Urbanization and New Social Norms |
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58 | (2) |
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Transformation of the Sociocultural Atmosphere |
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60 | (3) |
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The Reading Public and the Change in Artistic Sensibility |
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63 | (42) |
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Educating the New Reading Public |
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65 | (3) |
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Education and Women's Emancipation |
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68 | (3) |
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The Awakening of National Consciousness |
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71 | (8) |
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Cultural Societies: A Vision in Search of a Role |
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79 | (3) |
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Journalism and Cultural Change |
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82 | (3) |
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Translation and the Contact with the West |
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85 | (6) |
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The Impact of Russian Literature |
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91 | (6) |
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The Composition of a New World-View |
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97 | (5) |
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The New Reading Public and Its Sensibility |
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102 | (3) |
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A Modern Narrative Discourse in Embryo |
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105 | (52) |
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Oral, Traditional and Translated Narrative |
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106 | (2) |
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The Revitalization of the Maqamah |
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108 | (3) |
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The Emergence of Indigenous Narrative |
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111 | (2) |
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Nadim: The Qualification of the New Writer |
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113 | (4) |
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Language and the New Sensibility |
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117 | (3) |
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The Early Narrative Sketches |
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120 | (3) |
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Exploration of Further Grounds |
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123 | (2) |
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Elements of the New Narrative Discourse |
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125 | (4) |
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The Rejuvenation of the Maqamah |
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129 | (7) |
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The Romantic Break with the Past |
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136 | (4) |
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The Dream as a Narrative Discourse |
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140 | (2) |
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The Sentimental Slant of the Romantic |
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142 | (7) |
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Mustafa `Abd al-Raziq: A Neglected Pioneer |
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149 | (3) |
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The Herald of Realistic Narrative |
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152 | (5) |
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The Quest for National Identity and the Birth of Narrative Genres |
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157 | (42) |
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Nationalism and New Artistic Endeavour |
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158 | (1) |
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The Emergence of the Short Story |
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159 | (3) |
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Muhammad Taymur's Pioneering Work |
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162 | (2) |
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The Gap Between Theory and Practice |
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164 | (3) |
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Thematic and Artistic Contribution |
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167 | (3) |
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Nu`aymah and the Mahjar Experience |
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170 | (5) |
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Haddad and the Stories of Expatriation |
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175 | (3) |
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The Brothers `Isa and Shihatah `Ubaid |
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178 | (4) |
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Real People in Plausible Situations |
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182 | (3) |
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Literary Symbols and a Sense of Structure |
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185 | (4) |
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Al-Sayyid: The Return to Russian Literary Inflence |
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189 | (10) |
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Narrative Genres in Search of an Identity: Mahmud Taymur |
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199 | (16) |
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Introducing a New Narrative Discourse |
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200 | (1) |
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201 | (3) |
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Experimenting with New Themes |
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204 | (3) |
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The Culmination of his Early Career |
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207 | (3) |
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Artistic and Conceptual Qualities |
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210 | (2) |
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The Problematic Language of Narrative |
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212 | (3) |
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The Maturation of the New Narrative Discourse: Mahmud Tahir Lashin |
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215 | (18) |
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Jama `at al-Madrasah al-Hadithah |
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216 | (3) |
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Narrative Survey of the Society |
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219 | (3) |
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Characterization, Themes and Settings |
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222 | (3) |
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A Critical Vision of People and Society |
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225 | (2) |
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Lashin's Lasting Significance |
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227 | (2) |
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Narrative Discourse and the Reader's Consciousness |
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229 | (4) |
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The Culmination of a Sophisticated Discourse: Hadith al-Qaryah |
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233 | (29) |
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Naming as a Prefatory Narrative Device |
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235 | (1) |
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The Beginning and Its Assumptions |
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236 | (2) |
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Dialectics of Fabula and Sjuzhet |
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238 | (4) |
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Skaz and Characterization |
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242 | (5) |
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Molestation, Duplicity and Authority |
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247 | (2) |
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The Polyphony of Discourses and Intertextuality |
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249 | (3) |
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Thematic Interpretation and the Use of Description |
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252 | (3) |
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The Open Ending and Its Significance |
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255 | (7) |
Appendix: Village Small Talk: an English translation of Hadith al-Qaryah |
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262 | (7) |
Notes |
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269 | (38) |
Bibliography |
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307 | (10) |
Index |
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317 | |