
I Am a Beautiful Monster
by Picabia, FrancisRent Book
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Summary
Table of Contents
Translator's Introduction | p. 1 |
Am Looking For a Sun: Pre-Dada, 1917-1919 | |
Medusa | p. 26 |
To Douxami | p. 28 |
Delightful | p. 29 |
[Aphorisms] | p. 30 |
Fifty-Two Mirrors | p. 32 |
White Pajamas | p. 58 |
Poems and Drawings of the Daughter Born without a Mother | p. 60 |
The Mortician's Athlete | p. 98 |
Platonic False Teeth | p. 111 |
A Blackbird Missing a Feather | p. 118 |
Scarlet Runners | p. 119 |
American Saliva | p. 120 |
Poem | p. 121 |
[Aphorism] | p. 121 |
[Untitled] | p. 122 |
Lengthy Lips | p. 123 |
Purring Poetry | p. 124 |
Other Little Manifesto | p. 147 |
Cod-Liver Oil | p. 147 |
You Bunch of Idiots: Dada, 1919-1921 | |
Thoughts without Language | p. 152 |
Tombs and Brothels | p. 178 |
[Statement] | p. 179 |
Manifesto of the Dada Movement | p. 179 |
Survey | p. 180 |
Doctor Serner's Notebook | p. 180 |
[Statement by F. P.] | p. 182 |
Unique Eunuch | p. 183 |
[Aphorisms] | p. 197 |
[Aphorism] | p. 198 |
[Untitled] | p. 199 |
Dada Manifesto | p. 199 |
[Untitled] | p. 201 |
[Untitled] | p. 201 |
[Untitled] | p. 201 |
Chimney Sperm | p. 202 |
Dada Cannibal Manifesto | p. 204 |
[Untitled] | p. 205 |
Open Letter to Monsieur H.-R. Lenormand | p. 206 |
[Sandwich Board] | p. 208 |
To Madame Rachilde | p. 209 |
[Untitled] | p. 209 |
The Refrain, of What? | p. 211 |
A Silly-Willy's Notebook | p. 212 |
To Be Seasick on a Transport of Joy | p. 212 |
[Untitled] | p. 213 |
[Untitled] | p. 214 |
Philosophical Dada | p. 214 |
Art | p. 216 |
[Untitled] | p. 217 |
Poetry for Those Who Don't Understand | p. 217 |
Am Javanese | p. 218 |
Presbyopic-Festival-Manifesto | p. 219 |
May Day | p. 220 |
Jesus Christ Rastaquouere | p. 224 |
[Untitled] | p. 252 |
She Doesn't Blush | p. 252 |
Antenna | p. 254 |
An Awkward Affair | p. 254 |
Manifesto Pierced from Behind | p. 255 |
Rumor Has It That | p. 256 |
Bar | p. 256 |
Drat | p. 257 |
Dada-Madrid | p. 257 |
Song of the Pilhaou-Thibaou | p. 258 |
The Dadas Visit Paris | p. 259 |
Ninie | p. 259 |
Francis Picabia is an Idiot: Anti-Dada, 1921-1924 | |
M. Picabia Separates from the Dadas | p. 262 |
Francis Picabia and Dada | p. 264 |
Shingles | p. 266 |
391 | p. 268 |
[Aphorisms] | p. 269 |
Masterpiece | p. 269 |
[Aphorisms] | p. 271 |
[Aphorisms] | p. 272 |
The Pilhaou-Thibaou | p. 272 |
[Untitled] | p. 274 |
Almanac | p. 274 |
[Untitled] | p. 275 |
Fumigations | p. 275 |
The Cacodylic Eye | p. 277 |
[Handout] | p. 279 |
Marijuana | p. 280 |
The Pine Cone | p. 282 |
Replies to a Survey | p. 286 |
Hurdy-Gurdy | p. 286 |
Up to a Certain Point | p. 288 |
Thoughts and Memories | p. 291 |
Easy Effect | p. 291 |
[Untitled] | p. 293 |
My Hand Trembles | p. 293 |
History of Seeing | p. 294 |
Pithecomorphs | p. 295 |
Typeravings | p. 295 |
Travel Souvenirs: The Colonial Exposition of Marseilles | p. 297 |
[Untitled] | p. 299 |
Thank You Francis! | p. 299 |
Electrargol | p. 301 |
[Untitled] | p. 302 |
Blind Man's Bluff | p. 302 |
Irreceptive | p. 303 |
Tambourine | p. 304 |
With Francis Picabia | p. 305 |
Poetic Hypertrophy-Tobacco-Trophic Hyperpoetry | p. 307 |
[Reply] | p. 309 |
391 | p. 309 |
Guillaume Apollinaire | p. 310 |
Dadaism, Instantanism | p. 313 |
[Untitled] | p. 314 |
Scenario for Entr'acte | p. 314 |
Relache | p. 315 |
Interview on Entr'acte | p. 317 |
Instantanism | p. 317 |
Scenario for Cinesketch, 1924 | p. 319 |
Picabia Told Me . . . Before Cinesketch at the Theatre des Champs-Elysees | p. 321 |
Slack Days: After Dada, 1925-1939 | |
[On Land Speculation] | p. 324 |
Picabia's Profession of Faith | p. 324 |
Picabia Versus Dada, or The Return to Reason | p. 325 |
Thoughts | p. 328 |
[Untitled] | p. 328 |
The Law of Accommodation among the One-Eyed | p. 329 |
Slack Days | p. 340 |
General Prescription No. 555 | p. 343 |
[Untitled] | p. 344 |
Notice | p. 344 |
Am A Beautiful Monster: 1939-1949 | |
Poems of Dingalari | p. 346 |
Thalassa in the Desert | p. 361 |
Explorations | p. 372 |
H W P S M T B | p. 375 |
The Future-Child | p. 375 |
Three Little Poems | p. 376 |
Mystical Explanations | p. 377 |
Painters and Their Action at a Distance | p. 378 |
[Untitled] | p. 379 |
Precaution | p. 379 |
In a Church | p. 380 |
Or Else | p. 381 |
A Matter of Taste | p. 381 |
Cloakroom | p. 382 |
I've Never Believed in Myself: Late Writings, 1950-1953 | |
Chi-lo-sa | p. 385 |
I've Never Believed | p. 405 |
For and Against | p. 405 |
The Least Effort | p. 408 |
Poetic Humor | p. 409 |
What I Desire Is a Matter of Indifference to Me, Whether I Can Get It, That's What Counts | p. 416 |
Sunday | p. 416 |
The Masked Saint | p. 417 |
591 | p. 418 |
[Untitled] | p. 421 |
Don't Think Badly of Me Anymore | p. 421 |
Mounted Flower | p. 422 |
Are We Not Betrayed by Seriousness | p. 428 |
[Reply to a Survey] | p. 436 |
Yes No Yes No Yes No | p. 437 |
A Madman Who Goes Mad | p. 441 |
My Pencil Buckles: Posthumous Writings | |
Alarm Clock | p. 444 |
Tomorrow Sunday | p. 445 |
Must Dream | p. 446 |
Song Caressed by the Desperate Scent | p. 446 |
My Pencil Buckles | p. 447 |
[Untitled] | p. 448 |
Or Else One Doesn't Dream | p. 448 |
Let Chance Overflow | p. 449 |
Notes | p. 451 |
Bibliography | p. 476 |
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