Summary
In outstanding films that are sharply focused on unusual women Jane Campion has gained worldwide admiration and respect. This New Zealand director first attracted international attention with her 1989 filmSweetie, an acerbic study of two sisters in a wildly dysfunctional family. She followed this in 1990 with the television miniseriesAn Angel at My Table, based on the autobiography of New Zealand author Janet Frame. Subsequently released in theatres, the film chronicles the early trials of the young writer. Poor, timid, and physically awkward, Frame was misdiagnosed as schizophrenic and was scheduled for a lobotomy, but her success as a writer enabled her to escape this fate and won her fame and acceptance. In 1993 in yet another story about an extraordinary woman, Campion made the award-winning filmThe Piano. It starred Holly Hunter as the Victorian mail-order bride who refuses to speak. Arriving in New Zealand with her young daughter, the young Scottish widow confronts isolation in the wilderness and communicates only via her piano until she finds real love in her husband's neighbor, played by Harvey Keitel. Campion next adapted Henry James'sThe Portrait of a Lady, starring Nicole Kidman as Isabel Archer, a young American heiress seduced by a decadent pair of expatriates living in Italy.In this collection of interviews Campion speaks of these films that have given women a revival as a strong screen presence. Campion tells of her early life in Wellington and of her training as a filmmaker in the 1980s at the Australian School of Film and Television. She speaks of those who have influenced her style and her experiences in making movies.Campion received the Academy Award for Best Original Screenplay in 1993 and was the first woman director to win the Palme d'Or at Cannes.Virginia Wright Wexman, a professor of English and Associate Vice-Chancellor of Academic Affairs at University of Illinois, Chicago, has publishedCreating the Couple,Roman Polanski, andLetter from an Unknown Woman, as well as articles inFilm QuarterlyandCinema Journal.
Author Biography
Virginia Wright Wexman, a professor of English and Associate Vice-Chancellor of Academic Affairs at the University of Illinois, Chicago has published Creating the Couple, Roman Polanski, and Letter from an Unknown Woman, as well as articles in Film Quarterly and Cinema Journal.
Table of Contents
Introduction |
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ix | |
Chronology |
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xxi | |
Filmography |
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xxiii | |
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3 | (6) |
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9 | (2) |
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11 | (3) |
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The Contradictions of Jane Campion, Cannes Winner |
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14 | (2) |
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Campion: Cannes She Do It? |
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16 | (4) |
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20 | (6) |
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Campion Goes Out on a Limb---Again |
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26 | (4) |
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Two Interviews with Jane Campion |
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30 | (15) |
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45 | (5) |
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A Director Strikes an Intimate Chord |
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50 | (4) |
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The Sweet Smell of Success |
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54 | (3) |
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Angel with an Eccentric Eye |
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57 | (5) |
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The Red Wigs of Autobiography: Interview with Jane Campion |
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62 | (9) |
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Jane's Film Career Takes Wing |
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71 | (3) |
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74 | (9) |
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Interview with Jane Campion: In the Country of the Hypersensitive |
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83 | (3) |
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How Women Live Their Lives |
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86 | (5) |
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Structure Is Essential/Absolutely Crucial/One of the Most Important Things |
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91 | (5) |
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Jane Campion: Making Friends by Directing Films |
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96 | (5) |
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Interview with Jane Campion: More Barbarian than Aesthete |
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101 | (12) |
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113 | (11) |
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The Piano: Interview with Jane Campion |
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124 | (9) |
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At Cannes, A Fade-in On Women |
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133 | (4) |
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137 | (5) |
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142 | (4) |
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146 | (4) |
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Jane Campion Directs on Instinct |
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150 | (3) |
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Jane Campion's Lunatic Women |
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153 | (11) |
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164 | (4) |
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Jane Campion, the Classical Romantic |
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168 | (5) |
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Campion Takes on Spielberg at His Game |
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173 | (2) |
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A Light on the Dark Secrets of Depression |
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175 | (2) |
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A Voyage to Discover Herself |
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177 | (9) |
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186 | (6) |
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192 | (9) |
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Portrait of a Lady and Her Films |
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201 | (4) |
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Jane Campion Is Called the Best Female Director in the World. What's Female Got to Do with It? |
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205 | (6) |
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Index |
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