Plans of museum |
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8 | (4) |
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Paris railroad station provides home for 19th-century art |
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12 | (16) |
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Musee d'Orsay statistics (with opening hours) |
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26 | (2) |
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Ground floor (plans pp. 30--33) |
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28 | (144) |
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Sculpture from Rude to Carpeaux |
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34 | (16) |
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Expression of Despair - the ``Ugolino'' theme in the hands of Carpeaux and Rodin |
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40 | (6) |
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Political allegory on a large scale |
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46 | (4) |
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Painting from Gerome to Meissonier |
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50 | (18) |
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Scandals, in fighting, and intrigues - the ``Salon'' and the ``Refuses'' |
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54 | (14) |
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68 | (6) |
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Light and shade - mothers portrayed in art |
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70 | (2) |
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Daumier's terracotta busts - political physiognomics |
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72 | (2) |
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74 | (16) |
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The Provinces take Paris by storm |
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86 | (4) |
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90 | (11) |
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In the eye of the beholder |
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96 | (5) |
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Puvis de Chavannes and Moreau |
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101 | (3) |
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104 | (4) |
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108 | (12) |
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In defence of modernism - Emile Zola, art critic |
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110 | (6) |
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A classical goddess and her modern sister |
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116 | (4) |
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120 | (5) |
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Painter friends - portraits of Renoir and Bazille |
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122 | (3) |
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125 | (13) |
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126 | (4) |
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Portraits of ladies of the Second Empire |
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130 | (2) |
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Alternative ways of reaching the public - the first group exhibition by the impressionists |
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132 | (6) |
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138 | (2) |
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Seascapes and beach landscapes |
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140 | (4) |
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144 | (10) |
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``...we are now Orientalists'' (Victor Hugo, 1829) - Oriental trends and Oriental studies |
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148 | (6) |
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Decorative arts and historicism |
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154 | (8) |
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160 | (2) |
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International arts and crafts |
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162 | (10) |
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Upper level (plans pp. 174--177) |
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172 | (220) |
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The Moreau-Nelaton Collection |
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178 | (14) |
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Historical painting and modernity |
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180 | (8) |
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Charles Baudelaire - discoverer of modernity |
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188 | (4) |
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James Abbott McNeill Whistler |
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192 | (2) |
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Berthe Morisot and Mary Cassatt |
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194 | (8) |
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On women painters and other oddities - women painters in Paris |
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198 | (4) |
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202 | (2) |
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204 | (14) |
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The bohemian life - the cafe as a meeting place for artists |
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212 | (6) |
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218 | (5) |
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223 | (7) |
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228 | (2) |
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230 | (5) |
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235 | (3) |
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238 | (10) |
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244 | (4) |
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248 | (22) |
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250 | (4) |
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The railroad station - the cathedral of the 19th century |
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254 | (8) |
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At the edge of the visible - mountain landscapes by Monet and Hodler |
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262 | (4) |
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266 | (4) |
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270 | (26) |
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The long road to fame - Vincent van Gogh and his heritage |
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276 | (6) |
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From Naturalism to Expressionism |
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282 | (6) |
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Places of retreat - in search of the artist's personal style |
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288 | (8) |
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296 | (18) |
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The ``realization'' of nature in paintings the Bathers series |
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302 | (10) |
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Colorful pictures for the show booth |
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312 | (2) |
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314 | (6) |
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``Les Japons chez nous'' - Japan comes to Paris |
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316 | (4) |
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The late work of Monet and Renoir |
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320 | (7) |
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327 | (7) |
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Fin de siecle - the pleasure in the decline of one's own age |
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330 | (4) |
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334 | (4) |
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338 | (4) |
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342 | (8) |
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350 | (13) |
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Timelessness and mythical experience of the world - Gauguin's South Sea paintings |
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356 | (4) |
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Stocktaking - two self-portraits |
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360 | (3) |
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363 | (11) |
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Purity of the color spectrum as the aim of painting - Seurat, Signac, and neo-Impressionism |
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368 | (6) |
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Henri de Toulouse-Lautrec |
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374 | (10) |
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A place for art (history) - Montmartre between social misery and new beginnings in art |
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376 | (8) |
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384 | (8) |
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Hunger for pictures - from panorama to photography |
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386 | (6) |
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Mezzanine - (plans pp.394--397) |
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392 | (110) |
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Examples of academic paintings and sculptures |
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398 | (10) |
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The Festival Hall of the Hotel d'Orsay |
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402 | (6) |
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408 | (12) |
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``Nouveau Paris - the capital of Europe'' |
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412 | (8) |
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420 | (12) |
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Panorama of the age - the world exhibitions |
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426 | (6) |
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432 | (8) |
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Art Nouveau in France and Belgium |
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440 | (22) |
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Commercial art and architecture |
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444 | (14) |
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458 | (4) |
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Auguste Rodin and Camille Claudel |
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462 | (12) |
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474 | (2) |
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476 | (8) |
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Nature and Idea - Maillol's sculptural conceptions |
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478 | (6) |
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Joseph Bernard and Medardo Rosso |
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484 | (2) |
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486 | (16) |
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The artists and their makers - famous art dealers in Paris |
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496 | (6) |
Appendix |
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502 | (2) |
Biographies of the artists |
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504 | (27) |
Time chart |
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531 | (5) |
Glossary |
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536 | (18) |
Theory of color |
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554 | (10) |
References |
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564 | (2) |
Index of works |
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566 | (6) |
Picture and map sources |
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572 | |