Music for Analysis : Examples from the Common Practice Period and the Twentieth Century,9780534529482

Music for Analysis : Examples from the Common Practice Period and the Twentieth Century

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Edition: 5th
ISBN13: 9780534529482
ISBN10: 0534529488
Format: Paperback
Pub. Date: 2000-11-01
Publisher(s): Thomson Learning
List Price: $76.95

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Summary

An essential partner to your music theory text, Music for Analysis, 5/e offers more than 400 pieces of music from the baroque period to the present. Selected by Thomas Benjamin, Michael Horvit, and Robert Nelson--three nationally respected composers and music theory teachers--these musical selections illustrate standard usage and idiomatic procedures. With more than 50 complete pieces and most selections of at least period length, this anthology is the perfect vehicle for analysis of style, musical idiom, small forms, tonal harmony, and contemporary techniques. The fifth edition features "Suggestions for Discussion" and "Questions for Analysis," and new selections including more pieces by Brahms, Wagner, Schumann, Liszt, and Bach. A comprehensive, up-to-the minute, 20th-century section now includes additional pieces by Schonberg, Webern, Sessions, Rouse, Horne, Prokofiev, and Macmillan.

Table of Contents

Preface to the Fifth Edition xv
Suggestions for Using This Book xvii
Part I Diatonic Materials
Suggestions for Discussion
Tonic Triad
Questions for Analysis
Hayden, Sonatina in G major, Hob. XVI: 8
3(1)
Czerny, Sonatina, op. 792, no. 8
3(1)
Rimsky-Korsakov, Le Coq d'Or: Hymn to the Sun
3(1)
Beethoven, Leonora Overture No. 2, op. 72
4(1)
Beethoven, Trio, op. 70, no. 2
4(1)
Chopin, Polens Grabgesang, o. 74
5(1)
Chopin, Valse (Posthumous)
6(1)
Beethoven, Symphony No. 5, op. 67
6(1)
Couperin, Carnival
7(1)
Dominant Triad in Root Position
Questions for Analysis
Mozart, Rondo
8(1)
Kuhnau, Biblical Sonata No. 1: Victory Dance and Festival
8(1)
Beethoven, Fur Elise
9(1)
Schumann, Album for the Young, op. 68: Reiterstuck
9(1)
Weber, Euryanthe, op. 81: Overture
10(1)
Beethoven, Symphony No. 5, op. 67
10(1)
Dominant Seventh and Ninth in Root Position
Questions for Analysis
Weber, German Dance
11(1)
Mozart, Sonata, K. 332
11(1)
Schubert, Wiegenlied, op. 98, no. 2
12(1)
Verdi, Rigoletto, Act I, no. 2
12(1)
Haydn, Sonata in E major, Hob. XVI: 13
13(1)
Beethoven, Symphony No. 4, op. 60
14(1)
Weber, Oberon: Overture
14(1)
Schubert, Landler
15(1)
Schubert, Valses Nobles, op. 77
15(1)
Mozart, Valse
16(1)
Subdominant Triad in Root Position
Questions for Analysis
Scheidt, Bergamasca
17(1)
Schumann, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino
17(1)
Chopin, Mazurka, op. 17, no. 1
18(1)
Beethoven, Egmont Overture, op. 84
18(1)
Verdi, Rigoletto, Act I, no. 7
19(1)
Schubert, Impromptu, op. 90, no. 4, D. 899
20(1)
Kern, Look for the Silver Lining
21(1)
Beethoven, Seven country Dances, no. 7
22(1)
Schubert, Landler
22(1)
Cadential Tonic Six-Four Chord
Questions for Analysis
Schubert, Valses Sentimentales, op. 50, no. 18
23(1)
Chopin, Mazurka, op. 24, no. 3
23(1)
Donizetti, Lucia di Lammermoor, Act II, no. 6
24(1)
Beethoven, Trio, op. 97
25(1)
Tonic, Subdominant, and Dominant Triads in First Inversion
Questions for Analysis
Bach, Lobt Gott, ihr Christen, allzugleich
26(1)
Mozart, Bastien und Bastienne, K. 46B, no. 9
26(1)
Mozart, Sonata, K. 332
27(1)
Haydn, Sonata in D major, Hob. XVI:37
27(1)
Mozart, Abendempfindung, K. 523
28(1)
Beethoven, Symphony No. 5, op. 67
28(1)
Beethoven, Fidelio, Act I, no. 9
29(1)
Mozart, Sonata, K. 570
29(1)
Mendelssohn, Elijah, Op. 70, no. 29
29(1)
Couperin, Le Petit Rien
30(1)
Dandrieu, Les Fifres
30(2)
Supertonic Triad
Questions for Analysis
Anonymous, Dir, dir, Jehovah, will ich singen
32(1)
Schubert, Waltz, op. 9, no. 3, D. 365
32(1)
Beethoven, Six Variations on ``Net cor piu non mi sento''
32(1)
Mozart, Die Zauberflote, K. 620, Act II, no. 21
33(1)
Chopin, Zwei Leichen
33(1)
Beethoven, Trio, op. 121A
34(1)
Verdi, Rigoletto, Act II, no. 14
35(1)
Chopin, Mazurka, op. 33, no. 2
36(1)
Haydn, Sonata in E minor, Hob. XVI: 34
36(1)
Inversions of the Dominant Seventh Chord
Questions for Analysis
J. C. F. Bach, Nun danket alle Gott
37(1)
Haydn, Sonata in C major, Hob. XVI: 35
37(1)
Paisiello, Le donne sur balcone
37(1)
Mozart, Quartet, K. 464
38(1)
Beethoven, Sonata, op. 31, no. 3
39(1)
Rameau, Sarabande I, vol. I
39(1)
Haydn, Trio in C major, Hob. XV: 3
40(1)
Khulau, Sonatina, op. 20, no. 1
41(1)
Beethoven, Symphony No. 2, op. 36
41(1)
Beethoven, Minuet in C
42(1)
Linear (Embellishing) Six-Four Chords
Questions for Analysis
Beethoven, Concerto No. 1 for Piano, op. 15
43(1)
Schubert, Valses Sentimentales, op. 50, no. 1, D. 779
43(1)
Mozart, Rondo, K. 485
44(1)
Haydn, Quartet, op. 3, no. 5
45(1)
Schubert, Waltz, op. 9, no. 1, D. 365
45(1)
Kuhlau, Sonatina, op. 88, no. 3
46(1)
Mozart, Symphony No. 35, K. 385
46(1)
Beethoven, Sonatina in G major
47(1)
Beethoven, Symphony No. 7, op. 92
47(2)
Mozart, Symphony No. 41, K. 551
49(1)
Haydn, Sonata in D major, Hob. XVI: 37
49(1)
Beethoven, Contradanse
50(1)
Buxtehude, Passacaglia
50(1)
Beethoven, Symphony No. 3, op. 55
51(1)
Gounod, Faust, Act I, no. 6
51(2)
Sullivan, H.M.S. Pinafore, ``I'm Called Little Buttercup''
53(1)
Submediant and Mediant Triads
Questions for Analysis
Cruger, Herzliebster Jesu, was hast du verbrochen
54(1)
Annonymous, Dir, dir, Jehovah, will ich singen
54(1)
Bach, Schmucke dich, o liebe Seele
54(1)
Mozart, Bastien und Bastienne, K. 46B, no. 1
55(1)
Mozart, Sonata, K. 545
55(1)
Handel, Sonata in F for Flute and Continuo
56(1)
Verdi, Rigoletto, Act I, no. 1
56(1)
Brahms, Symphony No. 4, op. 98
56(1)
Corelli, Sonata for Violin and Continuo, op. 5, no. 9
57(1)
Schubert, Quartet in D major, D. 74
57(1)
Beethoven, Trio, op. 1, no. 3
58(1)
Mozart, Sonata, K. 283
59(1)
J. C. F. Bach, Menuet
59(1)
Tessier, Au joli bois je m'en vais
60(1)
Strauss, Der Rosenkavalier, Act III
60(1)
Brahms, Romance, op. 118, no. 5
61(1)
Schumann, Phantasiestucke, op. 12, no. 4, Grillen
62(1)
Schubert, Im Abendroth (Posthumous)
62(1)
Schubert, Symphony in C major (``The Great'')
63(2)
Leading Tone Triad
Questions for Analysis
Teschner, Schatz uber alle Schatze
65(1)
Bach, Aus meines Herzens Grunde
65(1)
Schumann, Album for the Young, op. 68: Soldatenmarsch
65(1)
Handel, Courante
65(1)
Haydn, Sonata in E♭ major, Hob. XVI: 49
66(1)
Haydn, Sonatina in D major, Hob. XVI: 4
66(1)
Mozart, Sonata, K. 280
67(1)
Daquin, La Joyeuse
68(1)
Variant Qualities of Diatonic Triads
Questions for Analysis
Scalar Variants in Minor
Bach, Herr, ich habe miβgehandelt
69(1)
Pachelbel, Chaconne
69(1)
Telemann, Fantasie No. 8
69(1)
Byrd, Pavana ``The Earle of Salisbury''
70(1)
A. Scarlatti, Folia
70(1)
Mattheson, Minuet
71(1)
Mozart, Sonata, K. 310
71(1)
Modal Borrowing
Verdi, La Traviata, Act I, no. 4
72(1)
Donizetti, Linda di Chamounix, ``O luce di quest'anima''
73(1)
Mozart, Sonata for Violin and Piano, K. 306
74(1)
Haydn, Sonatina in C major, Hob. XVI: 7
75(1)
Schubert, Aufenthalt
75(1)
Schubert, Der Wanderer
76(1)
Brahms, Symphony No. 3, op. 90
77(1)
Verdi, Il Trovatore, Act II, no. 11
78(1)
Beethoven, Symphony No. 5, op. 67
79(1)
Brahms, Symphony No. 4, op. 98
80(1)
Supertonic Seventh Chord
Questions for Analysis
Anonymous, Herr, wie du willst, so schick's mit mir
81(1)
Bach, Straf' mich nicht in deinem Zorn
81(1)
Haydn, Sonata in A♭ major, Hob. XVI: 46
81(1)
Grieg, Voegtersang
82(1)
Beethoven, Symphony No. 6, op. 68
82(1)
Schubert, Quartet, op. 168, D. 112
83(1)
Mozart, Sonata, K. 310
83(1)
Schubert, Standchen
84(1)
Beethoven, Symphony No. 2, op. 36
85(1)
Beethoven, Sonata, op. 14, no. 2
85(1)
Beethoven, Symphony No. 6, op. 68
86(1)
Bizet, Carmen, Act II: Entr'acte
87(1)
Rodgers, Blue Moon
87(2)
Leading Tone Seventh Chord
Questions for Analysis
Mozart, Sonata, K. 457
89(1)
Schumann, Carnaval, op. 9: Chiarina
89(1)
Brahms, Ballade, op. 10, no. 4
90(1)
Handel, Sonata for Flute and Continuo
90(1)
Haydn (?), Allegro
90(1)
Haydn, Trio in G major, Hob. XV: 25
91(1)
Mozart, Requiem, K. 626, Offertorium
92(1)
Haydn, Sonatina in G major, Hob. XVI: 11
93(1)
Handel, Judas Maccabaeus, Part III: no. 53, Introduction
94(1)
Gluck, Orphee, Act I, no. 1
95(1)
Handel, Aria con Variazioni, Lecon No. 1
96(1)
Telemann, Fantasia, 1er Dozzina, no. 5
97(1)
Mozart, Sonata for Violin and Piano, K. 306
97(2)
Other Diatonic Seventh Chords
Questions for Analysis
Bach, O Ewigkeit, du Donnerwort
99(1)
Mozart, Rondo. K. 494
99(1)
Mendelssohn, Kinderstuck, op. 72, no. 1
99(1)
Pachelbel, Fantasie
100(1)
Handel, Sonata for Flute and Continuo
100(1)
Handel, Menuet
101(1)
Tchaikovsky, Symphony No. 4, op. 36
101(1)
Bach, French Suite in D minor
102(1)
Complete Pieces for Analysis I
Checklist for Analysis
Beethoven, Minuet
103(1)
Schubert, Dance
104(1)
Schubert, German Dance, op. 33, no. 12
104(1)
Beethoven, Scottish Dance
105(1)
Purcell, Rigadoon
106(1)
Rameau, Mineut
107(1)
Witt, Passacaglia
108(2)
Grieg, Norsk
110(5)
Part II Chromatic materials
Suggestions for Discussion
Secondary (Applied, Borrowed) Dominants
Questions for Analysis
Beethoven, Trio, op. 1, no. 1
115(1)
Mozart, Sonata, K. 281
115(1)
Schubert, Impromptu, op. 142, no. 3
116(1)
Haydn, Trio in D major
116(1)
Beethoven, Sonatina in G major
117(1)
Weber, Oberon: Overture
117(1)
Beethoven, Trio, op 1, no. 1
118(1)
Schumann, Sonata, op. 118., Andante
119(1)
Beethoven, Symphony No. 1, op. 21
119(1)
Handel, Suite XI
120(1)
Schumann, Arabeske, op. 18
120(1)
Beethoven, Symphony No. 4, op. 60
121(1)
Schumann, Widmung, op. 25, no. 1
122(1)
Schubert, Symphony No. 8 (``Unfinished'')
123(1)
Schumann, Sonata, op. 118., Puppenwiegenlied
123(1)
Schubert, Quintet (``Die Forelle''), op. 114, D. 667
124(1)
Beethoven, Quintet, op. 29
125(1)
Beethoven, Trio, op. 11
126(1)
Verdi, Rigoletto, Act II, no. 7
127(2)
Handel, Suite XVI
129(1)
Beethoven, Sonata, op. 53
129(1)
Schubert, Symphony in C major (``The Great'')
129(1)
Beethoven, Trio, op. 1, no. 3
130(1)
Schubert, Mass in E♭ major: Benedictus
131(1)
Mendelssohn, Midsummer Night's Dream, op. 61: Wedding March
132(1)
Verdi, Rigoletto, Act II, no. 14
133(1)
Bach, Christmas Oratorio, no. 4: Introduction
133(1)
Handel, Sonata VII for Flute and Continuo
134(1)
Chopin, Mazurka, op. 67, no. 2
135(1)
Chopin, Valse, op. 69, no. 1
135(1)
Chopin, Valse Brillante, op. 34. no. 3
136(1)
Gershwin, Someone to Watch Over Me
137(1)
Tchaikovsky, Morning Prayer
138(1)
Kern, Can I Forget You?
139(2)
Modulation to Closely Related Keys
Questions for Analysis
Modulation to Dominant
Mozart, Symphony No. 39, K. 543
141(1)
Mozart, Sonata K. 331
141(1)
Beethoven, Symphony No. 2, op. 36
142(1)
Haydn, Minuet
142(1)
Schubert, Quartet, D. 173
143(1)
Haydn, Sonata in C# minor, Hob. XVI: 36
143(1)
Mozart, Symphony No. 41, K. 551
144(1)
Chopin, Mazurka, op. 7, no. 2
145(1)
Haydn, Sonata in G major, Hob. XVI: 39
145(1)
Mozart, Sonata, K. 282, Menuet I
146(1)
Schubert, Quartet, D. 173
146(3)
Modulation to Relative Major
Haydn, Trio in F# minor, Hob. XV: 26
149(1)
Haydn, Sonata in E minor, Hob. XVI: 34
150(1)
Mozart, Sonata, K. 330
150(1)
Donizetti, Lucia di Lammermoor, Act I
151(1)
Brahms, Quintet, op. 115
152(1)
Beethoven, Symphony No. 7, op. 92
153(1)
Haydn, Symphony No. 104, Hob. I: 104
154(1)
Modulation to Other Closely Related Keys
Haydn, Sonatina, Hob. XVI: 1
155(1)
Bononcini, Deh piu a me non vascondete
155(1)
Saint-Saens, Carneval des Animaux, Le Cygne
156(2)
Brahms, Waltz, op. 39, no. 15
158(1)
Beethoven, Quartet, op. 18, no. 2
159(1)
Purcell, Dido and Aeneas, Act I, scene I
159(1)
Bach, French Suite in C minor
160(2)
Complete Pieces for Analysis II
Checklist for Analysis
Bach, Wachet auf, ruft uns die Stimme
162(1)
Bach, In dulci jubilo
163(1)
Bach, Christ lag in Todesbanden
164(1)
Handel, Menuet
165(1)
Beethoven, Sonata, Op. 26
166(1)
Schumann, Sonata, op. 118., Abendlied
167(1)
Brahms, Waltz, op. 39
168(1)
Handel, Prelude
169(1)
Beethoven, Sonatina in F major
170(2)
Haydn, Sonata in G major, Hob. XVI: 27
172(3)
Rodgers, You Took Advantage of Me
175(4)
Linear (Embellishing) Diminished Seventh Chords
Questions for Analysis
Haydn, Symphony No. 104, Hob. I: 104, Menuet
179(1)
Beethoven, Symphony No. 7, op. 92
179(1)
Liszt, Les Preludes
180(1)
Beethoven, Contradanse
181(1)
Tchaikovsky, Symphony No. 6, op. 74
181(1)
Beethoven, Quartet, op. 18, no. 3
182(1)
Schubert, Sonata, op. 53
182(1)
Gounod, Faust, Act IV, no. 18
183(1)
Schumann, Carnaval, op. 9: Arlequin
184(1)
Mozart, Waltz, K. 567
184(1)
Wagner, Rienzi: Overture
185(1)
Bellini, I Puritani, Act II, scene 3
185(1)
Haydn, Symphony No. 104, Hob. I: 104
186(1)
Rodgers, The Girl Friend
187(2)
Brahms, Liebeslieder Walzer, op. 52, no. 4
189(2)
Neapolitan Triad
Questions for Analysis
Mozart, Concerto in A major, K. 488
191(1)
Schubert, Der Muller und der Bach
191(2)
Bach, Ach Gott, vom Himmel sieh' darein
193(1)
Bach, Invention No. 13
193(1)
Verdi, Il Trovatore, Act II, no. 8
194(1)
Brahms, Intermezzo in A major, op. 118, no. 2
195(1)
Chopin, Prelude, op. 28, no. 20
196(1)
Beethoven, String Quartet, op. 59, no. 2
197(1)
Brahms, Wie Melodien zieht es mir, op. 105
198(1)
Beethoven, Quartet, op. 18, no. 3
198(1)
Schubert, Mass in E♭ major: Credo
199(1)
Bach, The Well-Tempered Clavier, Vol. II, Fugue 17
200(1)
Chopin, Prelude, op. 28, no. 6
201(2)
Augmented Sixth Chords, Submediant Degree as Lowest Note
Questions for Analysis
Italian
Bach, Ich hab' mein' Sach' Gott heimgestellt
203(1)
Beethoven, Bagatelle, op. 119, no. 1
203(1)
Beethoven, Coriolan Overture, op. 62
203(1)
Tchaikovsky, Mazurka
204(1)
Schubert, Quartet, op. 168, D. 112
204(1)
Beethoven, Symphony No. 1, op. 21
205(1)
German
Mozart, Sonata, K. 457
205(2)
Beethoven, Sonata, op. 109
207(1)
Haydn, Trio, Hob. XV: 25
207(1)
Beethoven, Thirty-Two Variations, Var. 30
208(1)
Sibelius, Chanson Sans Paroles, op. 40, no. 2
208(1)
Strauss, Der Rosenkavalier, Act I
209(1)
French
Mendelssohn, Elijah, op. 70, no. 1
210(1)
Schubert, Mass in G major: Kyrie
211(1)
Bach, Wer nur den lieben Gott laβt walten
212(1)
Schubert, Snata, op. 42
212(1)
Verdi, La Traviata, Act III: Prelude
213(1)
Schubert, Symphony in C major (``The Great'')
213(1)
Grieg, Alfedans, op. 12
214(1)
Herbert, Gypsy Love Song
215(1)
Enharmonic German
Schumann, Dichterliebe, op. 48, no. 12: ``Am leuchtenden Sommermorgen''
216(2)
Augumented Sixth Chords, Other Scale Degrees as Lowest Note
Questions for Analysis
Mozart (?), Adagio
218(1)
Granados, Valses Poeticos
218(1)
Schubert, Symphony No. 8 (``Unfinished'')
219(1)
Moussorgsky, Songs and Dances of Death, no. 4
220(1)
Gluck, Orphee, Act I, nos. 6 and 7
221(1)
Augumented Sixth Chords, Other Uses
Questions for Analysis
Linear
Verdi, Rigoletto, Act I: Prelude
222(1)
Tchaikovsky, Song Without Words
222(1)
Tchaikovsky, Romeo and Juliet
223(1)
Schubert, Waltz
224(1)
Brahms, Intermezzo, op. 76, no. 4
224(1)
Tchaikovsky, The Witch
225(1)
Secondary
Chopin, Prelude, op. 28, no. 22
226(1)
Schubert, Mass in G major: Benedictus
226(2)
Schubert, Die Allmacht, op. 79, no. 2
228(1)
Altered Dominants
Schubert, Quintet, op. 163
229(1)
Liszt, Liebestraum, no. 3
230(1)
Rimsky-Korsakov, Snowmaiden, Chanson du Bonhomme Hiver
230(1)
Grieg, Solvejg's Lied
231(1)
Other Means of Modulation
Questions for Analysis
Schubert, Mass in G major: Gloria
232(1)
Brahms, Wenn du nur zuweilen lachelst, op. 57, no. 2
233(1)
Beethoven, Symphony No. 5, op. 67
234(1)
Schubert, Waltz, op. 9, no. 14, D. 365
235(1)
Mozart, Die Entfuhrung aus dem Serail, K. 384, Act III, no. 18
235(2)
Schumann, Symphony No. 2, op. 61
237(1)
Beethoven, Symphony No. 7, op. 92
237(1)
Haydn, String Quartet, op. 76, no. 6
238(1)
Beethoven, Sonata, op. 13
239(1)
Beethoven, Trio, op. 70, no. 1
239(2)
Schriabin, Prelude, op. 13, no. 3
241(1)
J. Strauss, Die Fledermaus: Overture
242(1)
Brahms, Wie bist du meine Konigen, op. 32, no. 9
242(2)
Schubert, Mass in A♭ major: Agnus Dei
244(2)
Beethoven, Trio, op. 11
246(2)
Rachmaninoff, Melodie, op. 3, no. 3
248(1)
Schubert, Symphony No. 8 (``Unfinished'')
249(1)
Ninth Chords
Questions for Analysis
Dominant Ninths
J. Strauss, Artist's Life Waltzes, op. 316, no. 3
250(1)
Franck, Sonata for Violin and Piano
250(1)
Beethoven, Andante
251(1)
Chopin, Valse Brillante, op. 34, no. 1
252(1)
Schumann, Waldesgesprach, op. 39, no. 3
253(2)
Chopin, Prelude, op. 28, no. 15
Secondary Dominant Ninths
Bach, St. Matthew Passion, no. 78
255(1)
Schumann, Genoveva, op. 81: Overture
255(2)
Grieg, Grandmother's Minuet, op. 68, no. 2
257(1)
Schumann, Kinderszenen, op. 15, no. 7: Traumerei
257(1)
Nondominant Ninths
Grieg Wedding Day at Troldhaugen, op. 65, no. 6
258(1)
Mendelssohn, Midsummer Night's Dream, op. 21: Overture
259(1)
Faure, Apres un Reve
259(2)
Extended Linear Usages
Questions for Analysis
Chopin, Mazurka, op. 6, no. 1
261(1)
Brahms, ``Der Tod, das ist die kuhle Nacht,'' op. 96, no. 1
262(1)
Weber, Euryanthe: Overture
263(1)
Brahms, Variations on a Theme by Handel, var. 20
263(1)
Franck, Symphony in D minor
264(1)
Wagner, Lohengrin, Act I, scene 2
265(1)
Wagner, Wotan's Farewell, Die Walkure, Act III
266(2)
Rodgers, Lover
268(1)
Chopin, Prelude, op. 28, no. 9
269(1)
Beethoven, Quartet, op. 18, no. 6
270(3)
Complete Pieces for Analysis III
Checklist for Analysis
Bach, Ein' feste Burg ist unser Gott
273(1)
Bach, Es ist genug, so nimm, Herr
274(1)
Bach, Cantata No. 4, Sinfonia
275(1)
Mozart, Minuet, K. 355
275(3)
Schumann, Myrthen, op. 25, no. 24
278(1)
Mendelssohn, Lieder ohne Worte, op. 30, no. 3
279(2)
Schumann, Phantasiestucke, op. 12, no. 3: Warum?
281(2)
Grieg, Erotikon
283(2)
Liszt, Il pensieroso, from Annees de Pelerinage
285(2)
R. Strauss, Morgen, op. 27, no. 4
287(2)
Wagner, Der Engel
289(5)
Mozart, Symphony No. 40, K. 550
294(5)
Beach, Phantoms
299(3)
Scott Joplin, A Breeze from Alabama
302(4)
Kern, Smoke Gets in Your Eyes
306(3)
Beethoven, Sonata, op. 49, no. 1
309(11)
Examples of Formal Counterpoint from the Works of J. S. Bach
Questions for Analysis
Invention No. 4, BWV 775
320(2)
Sinfonia 3, BWV 789
322(2)
The Well-Tempered Clavier, Vol. I, Fugue 2
324(3)
The Well-Tempered Clavier, Vol. II, Fugue 9
327(3)
Chorale Prelude on ``In Dulci Jubilo''
330(3)
Chorale Prelude on ``Christ lag in Todesbanden''
333(4)
Part III Twentieth-Century Materials
Suggestions for Discussion
Extended and Altered Tertian Harmony
Questions for Analysis
Hanson, Symphony No. 2, op. 30
337(1)
Kabalevsky, Sonatina, op. 13
337(1)
Hovhaness, Mysterious Mountain
338(1)
Shostakovich, Prelude, op. 34, no. 24
339(1)
Debussy, Pelleas et Mellisande, Act I, scene 1
339(1)
Scriabin, Poem, op. 32, no. 2
340(1)
Ravel, Valses Nobles et Sentimentales
341(1)
Rodgers, Slaughter on Tenth Avenue
342(1)
Weill, September Song
343(1)
Ellington, Prelude to a Kiss
344(1)
Duke Jordan, Jordu
345(1)
Berg, Four Songs, op. 2, no. 3
346(2)
Diatonic (Church) Modes
Questions for Analysis
Bartok, Little Pieces for Children, no. III
348(1)
Chavez, Ten Preludes, no. 1
349(1)
Poulenc, Valse
349(2)
Debussy, Trois Chansons, no. 1
351(1)
Kabalevsky, Toccatina
351(1)
Britten, Ceremony of Carols, no. 8
352(2)
Debussy, Suite bergamasque, Passepied
354(1)
Floyd, Susannah, Act II, scene 3
354(1)
Stravinsky, Five Fingers: Lento
355(1)
Bartok, Fourteen Bagatelles, op. 6, no. 4
356(1)
Casella, Siciliana
357(2)
Adderley, Work Song
359(1)
Pandiatonicism and Additive Harmony
Questions for Analysis
Ravel, Mother Goose Suite: The Magic Garden
360(1)
Milhaud, Touches Blanches
361(1)
Cowell, The Irishman Dances
361(1)
Copland, The Young Pioneers
362(1)
Barber, Excursions, III
362(1)
Stravinsky, Petroushka, Danse Russe
363(1)
Stravinsky, Sonata for Two Pianos
364(1)
Poulenc, Gloria, Laudamus te
365(2)
Exotic (Artificial, Synthetic) Scales
Questions for Analysis
Milhaud, Touches Noires
367(1)
Bartok, Mikrokosmos, no. 78: Five Tone Scale
367(1)
Kodaly, Valsette
368(1)
Vaughan Williams, London Symphony
369(1)
Debussy, Preludes II: Voiles
369(1)
Bartok, Mikrokosmos, no. 136, Whole Tone Scale
370(1)
Debussy, Pelleas et Melisande, Act II, scene 1
370(1)
Bartok, Fourteen Bagatelles, op. 6, no. 10
371(1)
Lutoslawski, Bucolic, no. 3
371(1)
Bartok, Mikrokosmos, no. 101: Diminished Fifth
372(1)
Bartok, Sketches, op. 9, no. 6
373(2)
Bartok, Fourteen Bagatelles, op. 6, no. 6
375(1)
Quartal and Secundal Harmony
Questions for Analysis
Hindemith, Mathis der Maler: Grablegung
376(1)
Ives, Majority
376(1)
Krenek, Piano Piece, op. 39, no. 5
377(1)
Hindemith, Ludus Tonalis, Fuga secunda in G
378(1)
Bartok, Concerto for Orchestra
378(2)
Berg, Wozzeck, Act II
380(1)
Bartok, Mikrokosmos, no. 107: Melody in the Mist
381(1)
Berg, Wozzeck, Act II
382(1)
Cowell, Tiger
383(1)
Ives, Majority
384(1)
Brubeck, Blue Rondo a la Turk
385(1)
Polyharmony and Polytonality
Questions for Analysis
Honegger, Symphony No. 5
385(2)
Schuman, A Three-Score Set
387(1)
Kraft, Allegro Giocoso
388(1)
Stravinsky, The Rake's Progress: Prelude
389(1)
Stravinsky, Petroushka, Scene 2
390(1)
Milhaud, Saudades do Brazil, no 7: Corcovado
391(1)
Bartok, Forty-Four Violin Duets, no. 33
391(1)
Brubeck, Strange Meadowlark
392(2)
Free Atonality
Questions for Analysis
Schonberg, Drei Klavierstucke, op. 11, no. 1
394(1)
Schonberg, Klavierstucke, op. 19, no. 2
395(1)
Schonberg, Pierrot Lunaire, op. 21, no. 1: Mondestrunken
396(3)
Webern, Five Movements for String Quartet, op. 5, no. 4
399(1)
Bartok, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths
400(1)
Bartok, Fourth String Quartet
401(2)
Sessions, From My Diary, III
403(1)
Berger, Two Episodes, I
404(2)
Twelve-Tone Serialism
Questions for Analysis
Krenek, Dancing Toys, op. 83, no. 1
406(2)
Schonberg, Suite fur Klavier, op. 25: Gavotte
408(1)
Dallapiccola, Cinque Frammenti di Saffo
409(3)
Webern, Drei Lieder, op. 25, no. 1
412(2)
Music Since 1945
Questions for Analysis
Stockhausen, Klavierstucke, no. 2
414(1)
Lutoslawski, String Quartet (1965)
415(1)
Penderecki, String Quartet, no. 2
416(3)
Crumb, Madrigals, Book IV
419(1)
Druckman, Valentine, for solo contrabass
420(1)
Rouse, Valentine
421(1)
Horne, Six Short Studies, Sixteenth Notes
422(2)
Complete Pieces for Analysis IV
Suggestion for Analysis
Ravel, Sonatine, Mouvt II
424(3)
Debussy, Pour le Piano: Sarabande
427(4)
Debusy, Preludes, X: La Cathedrale engloutie
431(6)
Bartok, Sonatina
437(2)
Prokofiev, Classical Symphony, op. 25
439(3)
Prokofiev, March from The Love of Three Oranges
442(3)
Hindemith, Ludus Tonalis, Fuga undecima in B (Canon)
445(2)
Ruggles, Evocations, no. 1
447(1)
Schonberg, Suite fur Klavier, op. 25: Menuett
448(3)
Macmillan, Piano Sonata, I
451(2)
Porter, Night and Day
453(5)
Gershwin, Porgy and Bess, ``Summertime''
458(5)
Appendix A. Checklist for Analysis and Sample Analysis 463(4)
Appendix B. Textbook Correlation Chart 467(6)
Index of Composers and Their Compositions 473

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