
Musical Imaginations Multidisciplinary perspectives on creativity, performance and perception
by Hargreaves, David; Miell, Dorothy; MacDonald, RaymondBuy New
Rent Textbook
Rent Digital
Used Textbook
We're Sorry
Sold Out
How Marketplace Works:
- This item is offered by an independent seller and not shipped from our warehouse
- Item details like edition and cover design may differ from our description; see seller's comments before ordering.
- Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
- Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
- Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.
Summary
Table of Contents
Contributors | p. xi |
Explaining musical imaginations: Creativity, performance, and perception | p. 1 |
Perspectives from musicology, sociology, and ethnomusicology | |
Creativity in performance | p. 17 |
Imagination feeds memory: Exploring evidence from a musical savant using zygonic theory | p. 31 |
Creativity as a social fact | p. 62 |
Musical creativity as social agency: Composer Paul Hindemith | p. 73 |
Imagining creativity: An ethnomusicological perspective on how belief systems encourage or inhibit creative activities in music | p. 87 |
Perspectives from cognitive, social, and developmental psychology | |
Musical materials or metaphorical models? A psychological investigation of what inspires composers | p. 107 |
Spreading activation and dissociation: A cognitive mechanism for creative processing in music | p. 124 |
Composers' creative process: The role of life-events, emotion and reason | p. 141 |
Imagination and creativity in music listening | p. 156 |
Creativity in singing: Universality and sensitive developmental periods? | p. 173 |
Perspectives from socio-cultural psychology | |
Digital tools and discourse in music: The ecology of composition | p. 193 |
Troubling the creative imaginary. Some possibilities of ecological thinking for music and learning | p. 206 |
Organ improvisation: Edition, extemporization, expansion, and instant composition | p. 220 |
Communication, collaboration, and creativity: How musicians negotiate a collective 'sound' | p. 233 |
Improvisation as a creative process within contemporary music | p. 242 |
Perspectives from neuroscience | |
Communicative musicality: The human impulse to create and share music | p. 259 |
Musicianship-how and where in the brain? | p. 285 |
Recreating speech through singing for stroke patients with non-fluent aphasia | p. 296 |
Shared affective motion experience (SAME) and creative, interactive music therapy | p. 313 |
Enhancing imaginative expression in the performing arts with EEG-neurofeedback | p. 332 |
Musical imagery and imagination: The function, measurement, and application of imagery skills for performance | p. 351 |
Perspectives from education, psychiatry, and therapy | |
The call to create: Flow experience in music learning and teaching | p. 369 |
Musical creativity, biography, genre, and learning | p. 385 |
Music, music therapy, and schizophrenia | p. 399 |
Creativity in improvisational, psychodynamic music therapy | p. 414 |
Developing creative improvisation skills in music therapy: the tools for imaginative music-making | p. 429 |
Afterword | |
Beyond creativity? | p. 451 |
Author Index | p. 461 |
Subject Index | p. 471 |
Table of Contents provided by Ingram. All Rights Reserved. |
An electronic version of this book is available through VitalSource.
This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.
By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.
Digital License
You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.
More details can be found here.
A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.
Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.
Please view the compatibility matrix prior to purchase.