Musical Imaginations Multidisciplinary perspectives on creativity, performance and perception

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Edition: 1st
Format: Paperback
Pub. Date: 2012-03-02
Publisher(s): Oxford University Press
List Price: $106.66

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Summary

Musical imagination and creativity are amongst the most abstract and complex aspects of musical behaviour, though, until recently, they have been difficult to subject to empirical enquiry. However, music psychology and some allied disciplines have now developed, both theoretically andmethodologically, to the point where some of these topics are now firmly within our grasp. The study of creativity and imagination is growing rapidly in disciplines including psychology, sociology, neuroscience, and education. Musical Imaginations is a wide ranging, multidisciplinary review of the latest theory and research on musical creativity, performance and perception by some of the most eminent scholars in their respective disciplines. The topics addressed in this book include the investigation of creativity andimagination in music and emotion, composition and improvisation, performance and performance traditions, listening strategies, different musical genres and cultural belief systems, social collaboration, identity formation, and the development of psychologically-based strategies and interventions forthe enhancement of performing musicians. With creativity now a topic of significant interest, this book will be valuable to all those in the fields of psychology, sociology, neuroscience, education, as well as to musicians themselves - dealing with practical as well as theoretical issues in music therapy, performance and education. The study of creativity and imagination is growing rapidly in disciplines including psychology, sociology, neuroscience, and education. The inter- and multidisciplinary study of music, and developments in music psychology in particular, mean that studies of musical imagination and creativity inaction are now distinctly possible. This book undertakes a multidisciplinary review of these developments. It contains a wide range of contributions by some of the most eminent scholars in their respective disciplines, representing a comprehensive account of the state of the art of theory andresearch on musical creativity, performance and perception.

Table of Contents

Contributorsp. xi
Explaining musical imaginations: Creativity, performance, and perceptionp. 1
Perspectives from musicology, sociology, and ethnomusicology
Creativity in performancep. 17
Imagination feeds memory: Exploring evidence from a musical savant using zygonic theoryp. 31
Creativity as a social factp. 62
Musical creativity as social agency: Composer Paul Hindemithp. 73
Imagining creativity: An ethnomusicological perspective on how belief systems encourage or inhibit creative activities in musicp. 87
Perspectives from cognitive, social, and developmental psychology
Musical materials or metaphorical models? A psychological investigation of what inspires composersp. 107
Spreading activation and dissociation: A cognitive mechanism for creative processing in musicp. 124
Composers' creative process: The role of life-events, emotion and reasonp. 141
Imagination and creativity in music listeningp. 156
Creativity in singing: Universality and sensitive developmental periods?p. 173
Perspectives from socio-cultural psychology
Digital tools and discourse in music: The ecology of compositionp. 193
Troubling the creative imaginary. Some possibilities of ecological thinking for music and learningp. 206
Organ improvisation: Edition, extemporization, expansion, and instant compositionp. 220
Communication, collaboration, and creativity: How musicians negotiate a collective 'sound'p. 233
Improvisation as a creative process within contemporary musicp. 242
Perspectives from neuroscience
Communicative musicality: The human impulse to create and share musicp. 259
Musicianship-how and where in the brain?p. 285
Recreating speech through singing for stroke patients with non-fluent aphasiap. 296
Shared affective motion experience (SAME) and creative, interactive music therapyp. 313
Enhancing imaginative expression in the performing arts with EEG-neurofeedbackp. 332
Musical imagery and imagination: The function, measurement, and application of imagery skills for performancep. 351
Perspectives from education, psychiatry, and therapy
The call to create: Flow experience in music learning and teachingp. 369
Musical creativity, biography, genre, and learningp. 385
Music, music therapy, and schizophreniap. 399
Creativity in improvisational, psychodynamic music therapyp. 414
Developing creative improvisation skills in music therapy: the tools for imaginative music-makingp. 429
Afterword
Beyond creativity?p. 451
Author Indexp. 461
Subject Indexp. 471
Table of Contents provided by Ingram. All Rights Reserved.

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