Norton Scores Vol. 2 : An Anthology for Listening: Gregorian Chant to Beethoven,9780393973419

Norton Scores Vol. 2 : An Anthology for Listening: Gregorian Chant to Beethoven

by
Edition: 8th
ISBN13: 9780393973419
ISBN10: 0393973417
Format: Paperback
Pub. Date: 1999-05-01
Publisher(s): W W Norton & Co Inc
List Price: $51.15

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Table of Contents

Preface ix
How to Follow the Highlighted Scores xii
A Note on the Recordings xiv
A Note on the Performance Practice of Early Music xv
Gregorian Chant, Gradual Haec dies
1(2)
Notre Dame School Organum Haec dies, excerpt
3(2)
Anonymous (13th century), Motet O mitissima/Virgo/Haec dies
5(2)
Hildegard von Bingen Ordo virtutum (The Play of the Virtues), Scene 4
7(3)
Moniot D'Arras (fl. 1213--1239) Ce fut en mai
10(3)
Guillaume de Machaut (c. 1300--1377) Puis qu'en oubli
13(1)
Anonymous (13th century) Royal estampie No. 4
14(2)
Guillaume Du Fay (c. 1397--1474) L'homme arme Mass, Kyrie
16(6)
Robert Morton? (c. 1430--c. 1476) or Guillaume Du Fay? Il sera pour vous/L'homme arme
22(3)
Josquin Desprez Ave (c. 1440-1521) Maria...virgo serena
25(8)
Giovanni Pierluigi Da Palestrina (c. 1525--1594), Pope Marcellus Mass, Gloria
33(8)
Giovanni Gabrieli (c. 1557--1612), O quam suavis
41(10)
Claudio Monteverdi (1567--1643), A un giro sol
51(6)
Monteverdi L'incoronazione di Poppea (The Coronation of Poppea), Act III, scene 7
57(9)
John Farmer (fl. 1591--1601), Fair Phyllis
66(4)
Henry Purcell Dido and Aeneas, Act III, Dido's Lament
70(3)
Elisabeth-Claude Jacquet De La Guerre Suite No. 1, 2nd Gigue, from Pieces de clavecin (Pieces for Harpsichord)
73(71)
Antonio Vivaldi (1678--1741), La primavera, from Le quattro stagioni (Spring, from The Four Seasons)
First movement
75(11)
Second movement
86(4)
Third movement
90(14)
George Frideric Handel (1685--1759), Water Music, Suite in D major
No. 1. Allegro
104(5)
No. 2. Alla hornpipe
109(6)
Handel Messiah
No. 1. Overture
115(6)
Nos. 14--16. Recitative, ``There were shepherds abiding in the field''
121(2)
No. 17. Chorus, ``Glory to God''
123(5)
No. 18. Aria, ``Rejoice greatly''
128(6)
No. 44. Chorus, ``Hallelujah''
134(10)
Johann Sebastian Bach (1685--1750), Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God)
144(28)
Bach Brandenburg Concerto No. 2 in F major
First movement
149(20)
Second movement
169(3)
Bach Prelude and Fugue in C minor, from The Well-Tempered Clavier, Book I
172(60)
Bach, Cantata No. 80, Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God)
No. 1. Choral fugue
176(27)
No. 2. Duet
203(8)
No. 5. Chorus
211(18)
No. 8. Chorale
229(3)
John Gay (1685--1732), The Beggar's Opera, end of Act II
232(5)
Joseph Haydn (1732--1809) Symphony No. 94 in G major (Surprise), second movement
237(12)
Haydn String Quartet, Op. 76, No. 2 (Quinten), fourth movement
249(24)
Haydn Die Schopfung (The Creation), Part I
No. 12. Recitative, ``And God said, Let there be lights''
257(1)
No. 13. Recitative, ``In splendour bright''
258(2)
No. 14. Chorus, ``The heavens are telling''
260(13)
Wolfgang Amadeus Mozart (1756--1791) Piano Sonata in A major, K. 331, third movement
273(72)
Mozart Piano Concerto in G major, K. 453
First movement
277(32)
Second movement
309(11)
Third movement
320(25)
Mozart Le nozze di Figaro (The Marriage of Figaro) Overture
345(76)
Act I, scene 6: Aria, ``Non so piu''
367(7)
Act I, scene 6: Recitative, ``Ah, son perduto!''
374(8)
Act I, scene 7: Terzetto, ``Cosa sento!''
382(17)
Mozart, Eine kleine Nachtmusik, K. 525
First movement
399(7)
Second movement
406(5)
Third movement
411(1)
Fourth movement
412(9)
Mozart, Symphony No. 40 in G minor, K. 550, first movement
421(42)
Ludwig van Beethoven (1770--1827), Piano Sonata in C minor, Op. 13 (Pathetique)
First movement
447(7)
Second movement
454(3)
Third movement
457(6)
Beethoven, Violin Concerto in D major, Op. 61, third movement
463(160)
Beethoven, Symphony No. 5 in C minor, Op. 67
First movement
486(30)
Second movement
516(21)
Third movement
537(19)
Fourth movement
556(67)
Appendix A. Reading a Musical Score 623(2)
Appendix B. Instrumental Names and Abbreviations 625(5)
Appendix C. Glossary of Musical Terms Used in the Scores 630(7)
Appendix D. Concordance Table for Recordings and Listening Guides 637(4)
Acknowledgments 641(3)
Index of Forms and Genres 644

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