Photography in Print : Writings from 1816 to the Present

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Edition: Reprint
Format: Paperback
Pub. Date: 1988-10-01
Publisher(s): Univ of New Mexico Pr
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Summary

This useful collection includes over a century of the very best writing on photography. Vicki Goldberg has brought together more than 75 essays and excerpts that cover a vast and provocative range of topics. We have the first-hand accounts of photographers, from Fox Talbot to Alfred Stieglitz to Ansel Adams, and the thoughts of leading critics and philosophers, from Baudelaire to George Bernard Shaw to Susan Sontag. Some of the pieces illuminate important aspects of photographic history; others give unique insights in particular photographers; and some are just for fun. Together, they offer a lively approach to the history, art, and philosophy of photography.

Table of Contents

Introduction 19(6)
The Truth Concerning the Invention of Photography: Nicephore Niepce, His Life and Works
25(6)
V. Fouque
Bill Presented to the Chamber of Deputies, France 31(18)
Some Account of the Art of Photogenic Drawing
36(13)
William Henry Fox Talbot
The Edinburgh Review, January, 1843 49(139)
Mirror Image: The Influence of the Daguerreotype on American Society
70(7)
Richard Rudisill
An Historical Letter
77(2)
L. E. Chittenden
Photographic Pleasures
79(9)
Cuthbert Bede
A Review in the London Quarterly Review
88(12)
Lady Eastlake
The Stereoscope and the Stereograph
100(15)
Oliver Wendell Holmes
Photography Extraordinary
115(4)
Lewis Carroll
Hiawatha's Photographing
119(4)
Lewis Carroll
The Salon of 1859
123(4)
Charles Baudelaire
My Life as a Photographer
127(2)
Nadar
Nadar and the Republic of Mind
129(12)
Max Kozloff
An Apology for Art-Photography
141(7)
Oscar G. Rejlander
The Camera and the Pencil
148(4)
Marcus Aurelius Root
Various writings
152(3)
John Ruskin
Pictorial Effect in Photography
155(8)
Henry Peach Robinson
Illustrations of China and Its People
163(3)
John Thomson
Diaries
166(2)
William Henry Jackson
Time Exposure
168(3)
William Henry Jackson
Landscape Permuted: From Painting to Photography
171(9)
Barbara Novak
Annals of My Glass House
180(8)
Julia Margaret Cameron
The Photographic News, 1889 188(105)
Naturalistic Photography
190(7)
Peter Henry Emerson
The Death of Naturalistic Photography
197(2)
Peter Henry Emerson
Interview with Mathew Brady
199(8)
Geo. Alfred Townsend Gath
Afield with the Wet Plate
207(3)
Valentine Blanchard
Is Photography Among the Fine Arts?
210(4)
Joseph Pennell
The Hand Camera---Its Present Importance
214(4)
Alfred Stieglitz
Photography as a Fine Art
218(5)
Charles H. Caffin
On the London Exhibitions
223(10)
George Bernard Shaw
A Visit to Steichen's Studio
233(5)
Sadakichi Hartmann
Lewis Hine: The World of His Art
238(16)
Alan Trachtenberg
The World of Atget
254(5)
Berenice Abbott
The Photograph and the Mental Image
259(8)
George Santayana
Self Portrait
267(4)
Man Ray
Alfred Stieglitz: An American Seer
271(2)
Dorothy Norman
Charles Sheeler: Artist in the American Tradition
273(3)
Constance Rourke
The Art Motive in Photography
276(12)
Paul Strand
Interview with Paul Strand
288(3)
Milton Brown
A Life in Photography
291(2)
Edward Steichen
The New York Times, March 6, 1923 293(254)
Scoop, Scandal and Strife: A Study of Photography in Newspapers
295(8)
Tom Hopkinson
Daybooks
303(12)
Edward Weston
Leaflet, Written for the Los Angeles Museum
315(4)
Edward Weston
The Work of Art in the Age of Mechanical Reproduction
319(16)
Walter Benjamin
Has Photography Gone Too Far?
335(4)
James Thurber
From Pigment to Light
339(10)
Laszlo Moholy-Nagy
The FSA Collection of Photographs
349(6)
Roy Emerson Stryker
Migrant Mother: 1936
355(4)
Paul Taylor
Interview with Walker Evans
359(11)
Leslie Katz
Whistler's Hippopotamus
370(7)
M. F. Agha
A Personal Credo
377(4)
Ansel Adams
Art and Technics
381(3)
Lewis Mumford
The Decisive Moment
384(3)
Henri Cartier-Bresson
Prints and Visual Communication
387(7)
William M. Ivins, Jr.
The Light Sensitive Mirage
394(4)
Minor White
Statement
398(2)
Statement
400(2)
Robert Frank
Weegee by Weegee
402(2)
Weegee
Night Light: Brassai and Weegee
404(16)
Colin L. Westerbeck, Jr.
Statement
420(2)
Harry Callahan
New Figures in a Classic Tradition
422(9)
Henry Holmes Smith
Picasso and Company
431(1)
Brassai
Interview with W. Eugene Smith
432(10)
Paul Hill
Thomas Cooper
Some Humanistic Considerations of Photography
442(10)
Jerry N. Uelsmann
On the Invention of Photographic Meaning
452(22)
Allan Sekula
Introduction to Avedon's Portraits
474(6)
Harold Rosenberg
The Directorial Mode
480(12)
A. D. Coleman
The Man in the Crowd
492(7)
Leo Rubinfien
The Modern Spirit
499(2)
Gerry Badger
White Women
501(5)
Vicki Goldberg
America, Seen Through Photographs, Darkly
506(15)
Susan Sontag
The Photographic Message
521(13)
Roland Barthes
In Our Image
534(13)
Wright Morris
Index 547

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