Introduction |
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19 | (6) |
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The Truth Concerning the Invention of Photography: Nicephore Niepce, His Life and Works |
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25 | (6) |
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Bill Presented to the Chamber of Deputies, France |
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31 | (18) |
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Some Account of the Art of Photogenic Drawing |
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36 | (13) |
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The Edinburgh Review, January, 1843 |
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49 | (139) |
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Mirror Image: The Influence of the Daguerreotype on American Society |
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70 | (7) |
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77 | (2) |
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79 | (9) |
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A Review in the London Quarterly Review |
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88 | (12) |
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The Stereoscope and the Stereograph |
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100 | (15) |
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Photography Extraordinary |
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115 | (4) |
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119 | (4) |
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123 | (4) |
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My Life as a Photographer |
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127 | (2) |
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Nadar and the Republic of Mind |
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129 | (12) |
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An Apology for Art-Photography |
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141 | (7) |
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The Camera and the Pencil |
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148 | (4) |
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152 | (3) |
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Pictorial Effect in Photography |
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155 | (8) |
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Illustrations of China and Its People |
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163 | (3) |
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166 | (2) |
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168 | (3) |
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Landscape Permuted: From Painting to Photography |
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171 | (9) |
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180 | (8) |
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The Photographic News, 1889 |
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188 | (105) |
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190 | (7) |
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The Death of Naturalistic Photography |
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197 | (2) |
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Interview with Mathew Brady |
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199 | (8) |
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Geo. Alfred Townsend Gath |
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Afield with the Wet Plate |
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207 | (3) |
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Is Photography Among the Fine Arts? |
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210 | (4) |
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The Hand Camera---Its Present Importance |
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214 | (4) |
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Photography as a Fine Art |
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218 | (5) |
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On the London Exhibitions |
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223 | (10) |
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A Visit to Steichen's Studio |
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233 | (5) |
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Lewis Hine: The World of His Art |
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238 | (16) |
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254 | (5) |
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The Photograph and the Mental Image |
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259 | (8) |
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267 | (4) |
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Alfred Stieglitz: An American Seer |
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271 | (2) |
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Charles Sheeler: Artist in the American Tradition |
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273 | (3) |
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The Art Motive in Photography |
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276 | (12) |
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Interview with Paul Strand |
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288 | (3) |
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291 | (2) |
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The New York Times, March 6, 1923 |
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293 | (254) |
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Scoop, Scandal and Strife: A Study of Photography in Newspapers |
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295 | (8) |
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303 | (12) |
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Leaflet, Written for the Los Angeles Museum |
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315 | (4) |
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The Work of Art in the Age of Mechanical Reproduction |
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319 | (16) |
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Has Photography Gone Too Far? |
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335 | (4) |
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339 | (10) |
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The FSA Collection of Photographs |
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349 | (6) |
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355 | (4) |
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Interview with Walker Evans |
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359 | (11) |
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370 | (7) |
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377 | (4) |
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381 | (3) |
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384 | (3) |
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Prints and Visual Communication |
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387 | (7) |
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The Light Sensitive Mirage |
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394 | (4) |
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398 | (2) |
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400 | (2) |
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402 | (2) |
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Night Light: Brassai and Weegee |
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404 | (16) |
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420 | (2) |
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New Figures in a Classic Tradition |
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422 | (9) |
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431 | (1) |
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Interview with W. Eugene Smith |
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432 | (10) |
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Some Humanistic Considerations of Photography |
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442 | (10) |
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On the Invention of Photographic Meaning |
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452 | (22) |
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Introduction to Avedon's Portraits |
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474 | (6) |
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480 | (12) |
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492 | (7) |
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499 | (2) |
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501 | (5) |
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America, Seen Through Photographs, Darkly |
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506 | (15) |
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521 | (13) |
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534 | (13) |
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Index |
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547 | |