Summary
Written in clear and lively prose,Re-Dressing the Canonis a collection of related essays that consider the relationship between gender and performance in canonical texts and contemporary productions. The essays engage current debates in feminism and queer theory, and ultimately reject Lacanian psychoanalysis as the best lens through which to study theatre. Alisa Solomon offers a new technique for studying theatre that focuses on reading texts theatrically. With its fresh look at theatre from Aristophanes to Split Britches,Re-Dressing the Canonis a terrific book for anyone interested in theatre.
Table of Contents
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viii | (1) |
Acknowledgements |
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ix | |
Introduction: how easy is a bush suppos'd a bear |
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1 | (20) |
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1 Much virtue in if: Shakespeare's cross-dressed boy-actresses and the non-illusory stage |
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21 | (25) |
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2 The New Drama and the New Woman: reconstructing Ibsen's realism |
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46 | (24) |
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3 Materialist girl: The Good Person of Szechwan and making gender strange |
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70 | (25) |
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4 Queering the canon: Azoi toot a Yid |
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95 | (35) |
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5 Three canonical crossings |
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130 | (35) |
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Cracking nature's mold: Mabou Mines re-engenders Lear |
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130 | (14) |
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People don't do such things: Charles Ludlam's Hedda |
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144 | (10) |
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Epic fornications: Bloolips and Split Britches do Tennessee |
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154 | (11) |
Epilogue: not just a passing fancy: notes on butch |
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165 | (14) |
Notes |
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179 | (22) |
Index |
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201 | |