
Russian Literature, Modernism and the Visual Arts
by Edited by Catriona Kelly , Stephen LovellBuy New
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Summary
Table of Contents
Introduction: boundaries of the spectacular | |
The Arts Reflected in Literature | |
Defining the face: observations on Dostoevskii's creative processes | |
Painting and autobiography: Anna Prismatova's Pesok and Anna Akhmatova's Epicheskie motivy | |
Picture windows: the art of | |
Mikhail Zoshchenko's shadow operas | |
Adaptations, Collaborations, Disputes and Rapprochements: Russian Literature, Visual Arts, and Performance | |
'Theatricality' as a concept in the Russian modernist movement | |
Design on drama: Chekhov and Simov Cynthia Marsh Khlebnikov eye | |
Cinematic literature and literary cinema: Olesha, Room and the search for a new art form | |
Meaningful voids: facelessness in Platov and Malevich | |
Painted mirrors: landscape and self-representation in women's verbal and visual art | |
Bibliography | |
Table of Contents provided by Publisher. All Rights Reserved. |
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