The Complete Idiot's Guide to Publishing Children's Books

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Format: Paperback
Pub. Date: 2001-03-01
Publisher(s): DK Publishing, Inc.
List Price: $16.95

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Summary

Children's book publishing is one of the most difficult fields of publishing for new authors to get into. "The Complete Idiot's Guide to Publishing Children's Books" gives potential authors tips, inside information, and detailed instructions for everything from how to prepare a proposal to how to get an agent. Detailing the differences between picture books, juvenile fiction, and the young adult novel, the book also covers branding, series, and licensing, discusses writing styles and character development, and explains forming illustrator partnerships.

Author Biography

Harold D. Underdown graduated from Haverford College with a Bachelor's degree in English allied with Spanish. He received a Master's degree in English secondary education from Temple University, and after several years of social work and teaching, he entered publishing in 1989. Harold changed gears in 1994 to open his own business as an editorial consultant. While consulting, he developed his Web site, The Purple Crayon, recognized today as one of the best sources of information about the children's publishing industry.

Harold joined Charlesbridge Publishing's trade division in 1997. When he left in 2000 he was editorial director of a list of 25 to 30 titles annually. He is now editorial vice president for ipicturebooks.com, a company dedicated to publishing illustrated children's books in a variety of electronic formats.

Throughout his career, Harold has worked with, and in some cases discovered, a number of distinguished authors and illustrators, among them Larry Pringle, Yumi Heo, Deborah Kogan Ray, Bob Marstall, Evelyn Coleman, Pat Mora, Barbara Esbensen, and Tony Johnston. Books he has edited have been named ALA Notable Books, and have been named to such lists as the ABA "Pick of the Lists," the CBC/NCSS "Notable Trade Books in the Field of Social Studies," and the IRA/CBC "Children's Choices." He speaks regularly at conferences across the country. For more information, visit his Web site at http://www.underdown.org.

Lynne Rominger began her career in publishing almost a decade ago as a book publicist after earning her degree from the University of California at Davis in English literature/nonfiction writing. During her time publicizing other people's books, she decided to write herself and embarked three years ago on a freelance writing career. Since then, she's written more than 100 feature articles for glossy magazines, newspapers, and Web sites. She has edited the Mind & Body channel on dontsweat.com, Richard Carlson's site based on his popular Don't Sweat the Small Stuff (Hyperion, 1997) series of books, and is a regular contributor to completeidiotsguides.com. Lynne also writes the monthly arts entries and personality Q&A for a regional magazine near her home in Roseville, California.

In addition to The Complete Idiot's Guide to Writing Children's Books, Lynne has co-authored The Complete Idiot's Guide to Publishing Magazine Articles (Alpha Books, 2000) with Sheree Bykofsky and Jennifer Basye Sander, Your First Year as a High School Teacher: Making the Transition from a Total Novice to a Successful Professional (Prima, 2001) with Suzanne Laughrea and Natalie Elkin, and Your First Year as an Elementary School Teacher: Making the Transition from a Total Novice to a Successful Professional (Prima, 2001) with Karen Heisinger and Natalie Elkin. When not working on her next writing project-a children's book, of course-Lynne teaches English at Granite Bay High School, Granite Bay, California.

Table of Contents

Part 1: Where to Begin? 1(65)
Adults Rule the World
3(8)
Sure, kids will read your book. But children's publishing is a business and you need to approach it in a business-like way
I Don't Know What to Say! And What Comes Next
11(8)
Tips and techniques for creating stories that children will want to read
Survey Course: The World of Children's Literature
19(8)
Let's take a little journey to explore what children like to read
Why Write a Children's Book---and Why Not?
27(10)
If you're in it for the money, you're in it for the wrong reason---and it'll show in your writing
The Piggy Bank and the Notebook
37(8)
Writing is a business. To do it right, you'll need the tools of the trade
It's a BIG World
45(8)
Change is the hallmark of children's publishing today. This isn't the same industry that brought you your favorites when you were a child
What's in a Book? A Guided Tour
53(12)
Though they tell many different stories, all books have certain elements in common
Part 2: Finding Out What's Possible 65(48)
Animal, Vegetable, or Mineral? Book Formats and Age Levels
67(10)
This chapter takes a look at fiction and nonfiction and the many formats of children's books
Digging Deeper Into the Book Pile
77(10)
Good versus fun books, and genres from fantasy to nonfiction
Apples and Oranges: Kinds of Publishers and What They Do
87(8)
What does a publisher do---and what kinds of publishers are there?
Keep 'em Rolling: Series
95(8)
Of course you want to write more than one children's book. But can your storyline extend over several books?
Is It Ready to Hand In?
103(10)
Everybody loves your story. But not all opinions are created equal. Here's how to choose opinions that count
Part 3: Out into the World 113(62)
Know the Rules, If You're Playing
115(10)
You want to send your manuscript to a publisher---here's how
Who Draws the Pictures?
125(10)
So you're not an illustrator? Not to worry. Your publisher has it covered
I Know Somebody Who Knows Somebody...
135(10)
It's true that connections make things happen. But taking it too far can make the wrong things happen
The Publishing Maze
145(10)
With so many different publishers out there, you want to find the one who is the best match for your children's book
Deeper into the Maze: Other Kinds of Publishers
155(10)
Sometimes the search for the right publisher takes you to places you didn't know existed---and to places you shouldn't go
So, How Does It All Work?
165(10)
You know you need publishers. Did you know publishers need you? Here's how to build relationships to meet both needs
Part 4: Working with a Publisher 175(54)
Oh Boy! A Contact!
177(10)
So you've finally signed on the dotted line? Great! Now fasten your seatbelt for the rest of the ride!
They Might Take My Idea! Copyright Basics
187(8)
Your story is your story, guaranteed
Make It Better
195(10)
Most experienced authors will tell you: The most intensive part of writing is rewriting
My Editor Doesn't Understand Me
205(10)
Don't feel slighted if your editor doesn't want to chat with you on a daily basis. An editor's life is busier than you can imagine
What If I Don't Like the Pictures?
215(8)
Even if they're not what you originally had in mind, the illustrator's drawings bring your story to life
The Rest of the Process
223(6)
It's your story, but it takes an entire team to turn it into a book. And lucky for you, it's your publisher who pulls this team together
Part 5: My Book Is Published! Now What? 229(88)
What Are You Doing for Me?
231(8)
How will your publisher market your book? Let us show you the many ways
Fun Stuff and Bragging
239(8)
Other ways that your publisher might market your book---but they cost money
Hey, Listen to Me!
247(8)
Do you have some ideas about ways to draw attention to your book?
Bookstore Business
255(8)
Your book is your baby. But to bookstores, it's a commodity. Here's a look at how you can help your book sell
Back to School
263(8)
Now's your chance to go back to school to show what you've learned
I Won a Prize!
271(10)
What could be better than having your children's book published? Winning a prize for it, of course!
Building a Career
281(36)
Publishing your children's book is a necessary first step in your career as a children's author. But don't stop here---there's much more ahead
Appendixes
A Glossary
293(8)
B Resources
301(6)
C Samples and Examples
307(10)
Index 317

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